731 records — Page 49 of 74
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Creators:
Laughlin, Robert M.
Dates:
1899-2016, bulk 1954-2016
Size:
39 videocassettes (vhs)
1 videocassettes (betamax)
20 cd-rs
6 electronic discs (dvd)
65.09 Linear feet
50 floppy discs
147 sound recordings
Collection ID:
NAA.2011-06
Repository:
National Anthropological Archives

Robert Moody Laughlin was an American ethnologist specializing in the study of Mayan language, history, customs, and folklore. He spent the majority of his career working for the Smithsonian Institution, first with the Bureau of American Ethnology, then with the Department of Anthropology. He was a curator emeritus with the department from his retirement in 2006 until his death in 2020. The Robert Moody Laughlin papers (1899-2016, bulk 1954-2016) document his research and professional activities and primarily deal with language and folktales he recorded and studied, as well as the culture and history of the Tzotzil and other Mayan groups in the Chiapas region. His involvement in language education and training, advocacy for the Tzotzil and language and cultural revitalization, and administrative matters at the Smithsonian are also represented. The collection consists of materials created for books and other publications, field notes, research materials, correspondence, administrative files, sound recordings, video recordings, photographs, and electronic records.

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Creators:
Archives of American Art
Dates:
1933-1991
Size:
38.69 cu. ft. (38 record storage boxes) (1 16x20 box)
Collection ID:
Accession 92-015
Repository:
Smithsonian Institution Archives

This accession includes records documenting the production of the Archives of American Art Journal (Volumes 24-26). Materials include Editor's records such as correspondence, publications, notes, grant proposals, agreements, budget summaries, photographs, and reports. Also included in this accession are records which document the administrati...

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Creators:
American Academy in Rome
Dates:
1855-2012
Size:
65.9 Linear feet
Collection ID:
AAA.ameracar
Repository:
Archives of American Art

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

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Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...

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Creators:
Woolworth, Alan R.
Weslager, C.A.
Witthoft, John, 1921-1993
Swauger, James Lee
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Dates:
1824-1992
bulk 1950-1982
Size:
10.25 Linear feet
Collection ID:
NAA.1994-30
Repository:
National Anthropological Archives

To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.

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Creators:
Bunch, Lonnie G.
Dates:
1952-2010
Size:
26.07 cu. ft. (24 record storage boxes) (3 16x20 boxes)
Collection ID:
Accession 19-200
Repository:
Smithsonian Institution Archives

The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions. The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists, ...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1865-1896
undated
Size:
2.33 Cubic feet (consisting of 5 boxes, 1 folder, 2 oversize folders, 1 map folder.)
Collection ID:
NMAH.AC.0060.S01.01.Corsets
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Corsets forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Wilbur H. Burnham Studios
Dates:
circa 1901-1991
Size:
38.5 Linear feet
Collection ID:
AAA.wilbhbur
Repository:
Archives of American Art

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 38.5 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material. There is a 2.6 linear foot unprocessed addition to this collection donated in 2021 that includes includes awards, printed material, passports, biographical material, Christmas cards, photographs, slides and postcards of stained lass windows, posthumous material, a bound ledger, legal papers, invoices and receipts, project files and glass plate negatives. Materials date from circa 1901-1991.

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Creators:
La Barre, Weston, 1911-1996
Dates:
1934-1970
Size:
7 Linear feet
Collection ID:
NAA.1976-057
Repository:
National Anthropological Archives

Raoul Weston La Barre was an anthropologist and ethnologist who is best known for his work with ethnobotany, his work on Native American religion, and for applying psychiatric and psychoanalytic theories to ethnography. This collection primarily contains materials relating to his 1935-1936 field work in Oklahoma and 1937-1938 field work in Bolivia, but also contains materials relating to his interest in the use of peyote and other hallucinogenic drugs which dates through the 1960s.

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Creators:
Chernow, Burt
Dates:
1930-2002
Size:
21.8 Linear feet
Collection ID:
AAA.cherburt
Repository:
Archives of American Art

The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them. Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs.

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731 records — Page 49 of 74