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Creators:
Murray, Richard N., 1942-2006
Dates:
1948-2004
bulk 1994-2001
Size:
9 Linear feet
Collection ID:
AAA.murrrich2
Repository:
Archives of American Art

The Richard Murray research material regarding Abbot Handerson Thayer measures 9.0 linear feet and dates from 1948 to 2004, with the bulk of the material dating from 1994 to 2001. Project files primarily document Murray's work on the 1999 exhibition "Abbott Thayer: The Nature of Art" and subsequent Thayer book project. Also found are extensive research files on Abbott Handerson Thayer and his specific works of art as well as photographic materials depicting Thayer, his family, studio, house, and works of art.

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Creators:
Hale, Philip Leslie, 1865-1931
Dates:
1818-1962
bulk 1877-1939
Size:
7.4 Linear feet
Collection ID:
AAA.halephil
Repository:
Archives of American Art

The papers of Boston painter, teacher, critic, and writer Philip Leslie Hale measure 7.4 linear feet and date from 1818 to 1962, with the bulk of the material dating from 1877 to 1939. Biographical information; correspondence with family, friends, and colleagues, including many artists; sketches and 9 sketchbooks; writings; printed material; and photographs document the artist's career and personal life. The collection also includes research materials and catalogs compiled by Albert J. Kennedy for a never-published Philip Leslie Hale memorial volume.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Smithsonian Institution. Office of Quincentenary Programs
Dates:
1984-1993
Size:
37 cu. ft. (37 record storage boxes)
Collection ID:
Accession 94-149
Repository:
Smithsonian Institution Archives

This accession consists of records that document the activities which the Office of Quincentenary Programs coordinated or organized to mark the 500th anniversary of Christopher Columbus's first landfall in the Americas on October 12, 1492. The Quincentenary programs began in 1985 under the coordination of Smithsonian's Directorate of Inte...

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Creators:
Baird, Spencer Fullerton, 1823-1887
Dates:
1833-1889
Size:
39.3 cu. ft. (74 document boxes) (3 half document boxes) (5 3x5 boxes) (oversize material)
Collection ID:
Record Unit 7002
Repository:
Smithsonian Institution Archives

The Spencer F. Baird Papers are the combination of several different deposits. One group was originally labeled "Private" by the Smithsonian Institution Archives at the time they were received. Another group came to the Smithsonian from Lucy Hunter Baird (Baird's daughter), or from her estate after her death.

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Creators:
National Portrait Gallery. Office of Public Affairs
Dates:
1968-1988
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 96-013
Repository:
Smithsonian Institution Archives

This accession consists of records that document the work of the Office of Public Affairs in the National Portrait Gallery (NPG) from 1968 until 1988. Most of the records were created by Sandra Westin and Michele Raphoon, but early files were created by Carol Cutler. The records describe all aspects of the Museum's publicity efforts, particula...

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Director
Dates:
1934-2001
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 04-157
Repository:
Smithsonian Institution Archives

This accession consists of research materials collected by James Demetrion, Director, 1984-2001, about Clyfford Still, his works, and exhibitions of his works. Materials include photocopies of clippings, articles, and publications; images and lists of artwork; bibliographies; and press releases. It is unknown when the photocopies were made ...

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Creators:
United States National Museum. Office of the Director
Dates:
circa 1921-1973
Size:
38 cu. ft. (76 document boxes)
Collection ID:
Record Unit 190
Repository:
Smithsonian Institution Archives

The records contained in this record unit are essentially those of Frank A. Taylor in his capacity as Director, United States National Museum (1962-1971) and Director General of Museums (1968-1971). However, some records as Chairman of the Exhibits Modernization Committee (1943-1959) and Director of the National Museum of History and Technolog...

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1982-1990
Size:
8.5 cu. ft. (8 record storage boxes) (1 document box)
Collection ID:
Record Unit 461
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda documenting the activities of the Curatorial Department and its predecessors. Included are general correspondence; correspondence with artists, dealers, and institutions; and the files of Harry Rand concerning his research and curation of The Art of Paul Manship.

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1990-2004
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 19-138
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning, development and production of the exhibition Secrets of the Dark Chamber: The Art of the American Daguerreotype at the Smithsonian American Art Museum, which, prior to 2000, was known as the National Museum of American Art. The exhibition featured daguerreotypes from public and priva...

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