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- Creators:
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Fendrick Gallery
- Dates:
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1952-2001
- Size:
-
106.4 Linear feet
0.008 Gigabytes
- Collection ID:
- AAA.fendgall
- Repository:
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Archives of American Art
The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.
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- Creators:
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Bogert, Charles M. (Charles Mitchill), 1908-1992
- Dates:
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1952-1965
- Size:
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79 Sound tape reels (1.6 cubic feet)
Tapes are in original boxes.
- Collection ID:
- CFCH.BOGE
- Repository:
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Ralph Rinzler Folklife Archives and Collections
Five boxes containing sixty-four 5 inch and fifteen 7 inch open reel tapes recorded primarily by American herpetologist Charles M. Bogert from 1953-1965. This collection has two parts: the first focusing mainly on traditional music and liturgical music from several regions in Mexico: Oaxaca, Jalisco, Nayarit. Also included is music recorded in the Southwestern United States. The second portion of the collection contains amphibian, bird, and insect calls and choruses, mostly from these same regions in Mexico, the Southwestern, Western, and Southern United States, and Sri Lanka.
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- Creators:
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Vogel, Dorothy
Vogel, Herbert
- Dates:
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1960s-2009
- Size:
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47.5 Linear feet
- Collection ID:
- AAA.vogedoro
- Repository:
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Archives of American Art
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.
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- Creators:
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Midtown Galleries
- Dates:
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1904-1997
- Size:
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86.82 Linear feet
- Collection ID:
- AAA.midtgall
- Repository:
-
Archives of American Art
The records of Midtown Galleries measure 86.82 linear feet and date from 1904 to 1997. The collection documents the operation and general administration of the business and includes artist records, exhibition material, inventories, financial records, photographs, and printed material.
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- Creators:
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Freer, Charles Lang, 1856-1919
- Dates:
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1876-1931
- Size:
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131 Linear feet (29 architectural drawings)
- Collection ID:
- FSA.A.01
- Repository:
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Freer Gallery of Art and Arthur M. Sackler Gallery Archives
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
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- Creators:
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Porterfield, Jeanne
Chickering, Lisa
- Dates:
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1954-2015, undated
- Size:
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38 Film reels
7 Sound tape reels
5 Electronic discs (DVD)
1 Videocassettes (U-matic)
5 Videocassettes (Digital Betacam)
67.86 Linear feet
18 Sound discs (vinyl)
4 Cassette tapes
- Collection ID:
- HSFA.2015.16
- Repository:
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Human Studies Film Archives
The Lisa Chickering and Jeanne Porterfield collection documents their work as travel filmmakers, photographers, and writers from 1954-2015. Their films are an example of the travel lecture film, a genre which combined silent travelogue films with live narration. Chickering and Porterfield presented their films throughout the United States and Canada in the 1960s and 1970s before turning to freelance still photography and travel writing in the early 1980s. The audiovisual and photography collection begins with their first joint travels in the 1950s and covers a range of their professional activities through the early 2000s, mainly encompassing original travel footage, edited travelogues, and travel still photography. Supporting documentation includes film scripts, lecture recordings, personal and professional manuscripts, financial and professional records, and a substantial amount of newspaper and magazine articles which serve as a record of the press generated by and about Chickering and Porterfield.
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- Dates:
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1903-2003
- Size:
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20 cu. ft. (20 record storage boxes)
- Collection ID:
- Accession 11-158
- Repository:
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Smithsonian Institution Archives
This accession consists of records created and maintained by Paul J. Spangler, curator at the National Museum of Natural History (NMNH). These records include correspondence, grants, loans, administrative records, research materials, manuscripts, specimen information, reference information, and materials related to his work with professional s...
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- Creators:
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Hirshhorn Museum and Sculpture Garden. Office of the Deputy Director
- Dates:
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1974-1995
- Size:
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35 cu. ft. (35 record storage boxes)
- Collection ID:
- Accession 96-084
- Repository:
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Smithsonian Institution Archives
These records were created between 1974 and 1995 by Stephen E. Weil during his tenure as Deputy Director, Hirshhorn Museum and Sculpture Garden (HMSG). The records consist of correspondence with other international and national museums and art institutions; correspondence concerning policies and legal questions raised by the public and ot...
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- Creators:
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Hirshhorn, Olga, interviewee
- Dates:
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1986-1988
- Size:
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18 audiotapes (Reference copies).
- Collection ID:
- Record Unit 9566
- Repository:
-
Smithsonian Institution Archives
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...
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- Creators:
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Cotton Museum (Memphis, Tennessee)
National Cotton Council
- Dates:
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1939-1994, undated
- Size:
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38 Cubic feet (91 boxes)
- Collection ID:
- NMAH.AC.1176
- Repository:
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Archives Center, National Museum of American History
The Maid of Cotton (MOC) beauty pageant was sponsored by the National Cotton Council, Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans from 1939-1993. The contest was held annually in Memphis, Tennessee until the National Cotton Council and Cotton Council International moved to Dallas, Texas. Beginning with the 1985 pageant (held December 1984) the competition was held in Dallas. The pageant was discontinued in 1993 due to lack of funds, a sponsor, and changes in marketing strategies. The records include files on contestants, photographs, and scrapbooks.