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Creators:
Williams, Ralph William
Breck Company.
Dial Corporation.
American Cyanamid Company
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Dates:
circa 1936-1995
Size:
6.5 Cubic feet (16 boxes, 188 pieces of original artwork)
Collection ID:
NMAH.AC.0651
Repository:
Archives Center, National Museum of American History

The collection documents the development and evolution of the Breck Girl, a highly successful and long-lived advertising campaign whose hallmark was its vision of idealized American womanhood through correspondence, photographs, paintings, and print advertisements.

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Creators:
Naff, Alixa, 1919-2013
Dates:
1875 - 2004
Size:
120 Cubic feet (295 boxes )
2,000 Photographs
450 Cassette tapes
Collection ID:
NMAH.AC.0078
Repository:
Archives Center, National Museum of American History

The collection is the result of research conducted by Dr. Alixa Naff relating to the study of the early Arab immigrant experience in the United States from about 1880-World War II. The study began with oral history interviews in 1962 and became a major project in 1980 with a grant from the National Endowment for the Humanities. It documents the assimilation of Arabic speaking immigrants in the United States.

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Creators:
Williams, Claude, 1908-2004
Fouse-Williams, Blanche Y.
Dates:
1920-2005
Size:
1 Electronic discs (CD)
13 Cassette tapes
4.66 Cubic feet (14 boxes, 3 map- folders)
Collection ID:
NMAH.AC.0909
Repository:
Archives Center, National Museum of American History

Business and personal papers, photographs, and audio recordings of Claude "Fiddler" Williams, an award-winning jazz fiddler. Although Williams played music for almost a century the materials in this collection date largely from 1970 to 2005.

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Creators:
ACA Galleries
Dates:
1917-1963
Size:
1 Linear foot
Collection ID:
AAA.acagall
Repository:
Archives of American Art

The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.

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Creators:
Los Angeles Art Association
Dates:
1922-1990
Size:
12.6 Linear feet
Collection ID:
AAA.losangea
Repository:
Archives of American Art

The Los Angeles Art Association records measure 12.6 linear feet and date from 1922-1990. Almost a third of the collection consists of artists' files containing a wide variety of materials documenting the association's relationship with numerous California and international artists. Also found are ten scrapbooks documenting exhibitions and events over the course of 50 years, administrative files, correspondence, subject files, exhibition files, financial and legal records, printed material, and photographic material depicting artists, events, and artwork. Scattered files of Executive Director Helen Wurdemann's are also found throughout the collection.

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Creators:
Macdonald-Wright, Stanton, 1890-1973
Dates:
1890-2018
Size:
14.5 Linear feet
Collection ID:
AAA.macdstan
Repository:
Archives of American Art

The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork. There is an 11.3 linear foot unprocessed addition to this collection donated 2019 that includes biographical material, personal and professional correspondence including illustrated letters, two scrapbooks, a diary by Stanton macDonald-Wright, works of art includind sketches in various media, photographs, scrapbooks, Jean's research and writing, Stanton's teaching materials, printed material, interviews on three cassettes, and files related to Stanton's estate.

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Creators:
Mathis, Nathaniel, 1946- (barber, motivational speaker)
Dates:
1946-2004
bulk 1970-2004
Size:
5.5 Cubic feet (18 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0641
Repository:
Archives Center, National Museum of American History

Nathaniel Mathis is a Washington, D.C., hairstylist, inventor, motivational speaker, and entrepreneur. His papers document his business life and community involvement.

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Creators:
Moglie, Loretta
Moglie, Albert F., 1890-1988
Rembrandt photo studio
Scavelli, Ramon
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Dates:
1916-1987
Size:
1 Cubic foot (9 boxes)
Collection ID:
NMAH.AC.0283
Repository:
Archives Center, National Museum of American History

The largest number of items in the collection are publicity portrait photoprints, autographed by the subjects and presented to Albert Moglie; obviously they were professional musicians for whom Moglie did repair and restoration work. Most of the musicians are violinists, such as Fritz Kreisler and Rubinoff, although cellists, including Pablo Casal...

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Creators:
Sekula, Allan
Panzer, Mary
Dates:
2011 August 20-2012 February 14
Size:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Collection ID:
AAA.sekula11
Repository:
Archives of American Art

An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.

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Creators:
Pomerantz, Louis
Dates:
1937-1988
bulk 1950-1988
Size:
34.2 Linear feet
Collection ID:
AAA.pomeloui
Repository:
Archives of American Art

The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.

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