Smithsonian Folklife Festival records: 2012 Smithsonian Folklife Festival
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Nina Howell Starr papers
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.
Jacob Kainen papers
Kainen, Ruth Cole.
The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diaries, calendars, inventories, interview transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.
Federal Art Project, Photographic Division collection
The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
Bernard Harper Friedman papers
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, printed material, 5 scrapbooks and photographs.
William C. Sturtevant papers
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.
Gene Davis papers
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.
Esther Bear Gallery records
The records of Santa Barbara, California art gallery, Esther Bear Gallery, measure 5.7 linear feet and date from 1928 to 1985, with the bulk of the records dating from 1954 to 1977. The collection comprises administrative records that include exhibition files, photographs, records documenting the gallery's operations, and files for the Donald Bear Collection and Endowment Fund; professional correspondence with artists, clients, and galleries regarding exhibitions, sales and loans, and other business dealings; and artist files for Thomas Cornell, Antonio Frasconi, Ynez Johnston, Miguel Marina, Alfred Martinez, and Nina de Creeft Ward, among others.
National Congress of American Indians records
The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.
Tom Wisner papers
51 Sound tape reels (5 inch.)
2 Sound tape reels (7 inch.)
114 Videocassettes (VHS)
1 Video recording (1 large video reel)
Parts of several boxes of paper records
67 Electronic discs (CD)
624 Sound cassettes
This collection, which dates from 1968-2008, documents the professional activities of environmental activist and folk singer Tom Wisner. The collection includes original writings, correspondence, audio recordings, video recordings, interviews, and material relating to the production of Wisner's music and his musical performances.
A Collection of papers and recordings: original writings, correspondence, music production, projects and performances related to environmental advocacy and education of the Chesapeake Watershed; audio and visual recordings of Tom Wisner's professional music production, performances by Wisner and friends, interviews and documentation of the life and culture of the Chesapeake Watershed from 1968-2008.