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Dates:
circa 1873-1946 and undated
Size:
21.66 cu. ft. (34 document boxes) (7 12x17 boxes) (11 3x5 boxes)
Collection ID:
Record Unit 7364
Repository:
Smithsonian Institution Archives

This collection consists primarily of papers documenting the professional career and personal life of Edward William Nelson. A smaller amount of material was created by Edward Alphonso Goldman and relates to both professional and private matters. Apparently, Goldman assumed control of Nelson's papers after the latter's death, probably for...

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Dates:
1865–1869
Size:
50 Reels
Collection ID:
NMAAHC.FB.M826
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 50 rolls of microfilm described in the NARA publication M826. These digital surrogates reproduced the Records of the Superintendent of Assistant Commissioner for the State of Mississippi, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869. They consist of 41 volumes and approximately 30 feet of unbound records. The volume include letters and endorsements sent; registers of letters received; orders issued and received; registers of indentures and marriages; a register of reports, vouchers, and requisitions received; and index books. The unbound records consist mainly of letters received, orders, reports, freedmen's labor contracts, and a few miscellaneous papers.

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Creators:
Holman, Bill, 1927-
Kenton, Stan
Monk, Thelonious
Basie, Count, 1904-
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Dates:
1951-2000
Size:
12 Cubic feet (68 boxes)
Collection ID:
NMAH.AC.0733
Repository:
Archives Center, National Museum of American History

The Bill Holman Collection consists of original music compositions and arrangements, posters, performance contracts and a photograph dating from 1952 to 1999. The collection is organized into two series: Series 1: Music Manuscripts; and Series 2: Photographs and Business Records.

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Creators:
Grepke, Donald, 1932-
Grepke, Carolyn, 1937-1995
Dates:
circa 1800s-1998, undated
Size:
70 Cubic feet
Collection ID:
NMAH.AC.0752
Repository:
Archives Center, National Museum of American History

Abstract: Collection consists of over a century of paper dolls documenting their use as advertisements, and depictions of popular culture, fashion trends, family lifestyles, gender roles, ideal communities,and cultural heroes.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1803-1961
Size:
4.19 Cubic feet (consisting of 9 boxes, 1 folder, 5 oversize folders, 1 map case folders, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Paints
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1772-1948
Size:
1.45 Cubic feet (consisting of 2.5 boxes, 1 folder, 7 oversized folders, 3 map case folders, 1 flat box (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Hair
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Hair forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Litzinger, Beatrice
Litzinger, Joseph
Dates:
1900-1990
Size:
2.75 Cubic feet (8.5 boxes)
Collection ID:
NMAH.AC.0530
Repository:
Archives Center, National Museum of American History

The collection consists of seven series, the largest, Series 1, being the postcards. The largest categories in this series are the geographic, both United States and foreign, and greeting cards. The most important and probably the most interesting of the geographic cards are from Maryland as they give us an historic view of the state. This is part...

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Dates:
1864-1869
Size:
12 Reels
Collection ID:
NMAAHC.FB.M1026
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 12 rolls of microfilm described in NARA publication M1026. These digital surrogates reproduced the records of the Superintendent of Education for the State of Louisiana, Bureau of Refugees, Freedmen, and Abandoned Lands, 1864-69. The records consist of 18 bound volumes and nearly 2.4 meters (8 feet) of unbound documents. The bound volumes include letters, telegrams, and endorsements sent; registers of employees; accounts with freedmen schools; and other records. The unbound documents consist primarily of letters and telegrams sent and reports sent and received.

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Creators:
Haskell & Barker Car Company
Dates:
undated
1926-1957
Size:
13.5 Cubic feet (47 boxes)
Collection ID:
NMAH.AC.1183
Repository:
Archives Center, National Museum of American History

A collection of photograpic negatives from the Haskell and Barker Car Company, manufacturers of railroad cars, of Michigan City, Indiana.

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Creators:
Fenton, Beatrice, 1887-1983
Dates:
1836-1984
bulk 1890-1978
Size:
9.36 Linear feet
Collection ID:
AAA.fentbeat
Repository:
Archives of American Art

The papers of sculptor Beatrice Fenton date from 1836-1984 (bulk 1890-1978) and measure 9.36 linear feet. The collection documents Fenton's career as a sculptor and art instructor, as well as her life-long friendships with artist Emily Clayton and art educator Marjorie Martinet. Found are scattered biographical materials, correspondence primarily with Martinet (approximately 1/2 of the collection), business records, notes and writings, scattered records of arts organizations, transcripts of interviews with Fenton, sketches and sketchbooks, a scrapbook, brochures, clippings, postcards, reproductions of artwork, and photographs of friends and family, travels, and artwork. Writings include several illustrated hand-made books of poetry by Emily Clayton.

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