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Creators:
Beaux, Cecilia, 1855-1942
Dates:
1863-1968
Size:
3.3 Linear feet
Collection ID:
AAA.beauceci
Repository:
Archives of American Art

The papers of the painter Cecilia Beaux measure 3.3 linear feet and date from 1863 to 1968. Papers document her education, career and personal life through family and professional correspondence, twelve diaries, lectures, essays, poems, notes, clippings, catalogs, pamphlets, exhibition records, business records, photographs, certificates, diplomas, and artifacts.

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Creators:
Lazzari, Pietro, 1898-1979
Dates:
1878-1998
Size:
12.84 Linear feet
Collection ID:
AAA.lazzpiet
Repository:
Archives of American Art

The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The papers document Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.

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Creators:
Krasnow, Peter, 1886-1979
Dates:
1914-1984
Size:
6.9 Linear feet
Collection ID:
AAA.kraspete
Repository:
Archives of American Art

The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.

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Creators:
Scarpitta, Salvatore, 1919-2007
Dates:
1934-2011
Size:
3.1 Linear feet
Collection ID:
AAA.scarsalv
Repository:
Archives of American Art

The papers of sculptor, painter, and race car driver Salvatore Scarpitta measure 3.1 linear feet and date from 1934 to 2012. The papers include personal and professional letters from friends and galleries, exhibition and loan files, legal records pertaining to Scarpitta's estate, financial records, a scrapbook, photographs, printed material, and video recordings.

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Creators:
Smithson, Robert
Dates:
1905-1987
bulk 1952-1987
Size:
15.1 Linear feet
Collection ID:
AAA.smitrobe
Repository:
Archives of American Art

The papers of sculptor, writer, and earthworks artist Robert Smithson and his wife, sculptor, filmmaker, and earthworks artist Nancy Holt measure 15.1 linear feet and date from 1905 to 1987, with the bulk of the material dating from 1952 to 1987. The papers consist of Smithson's biographical material; business and personal correspondence, much of it with artists; interview transcripts; extensive writings and project files; financial records; printed material; a scrapbook of clippings; holiday cards with original prints and sketches; photographic material; and artifacts. Also found are project files related to Nancy Holt's motion picture film Pine Barrens and her seminal environmental work of art Sun Tunnels, including a video documentary about Sun Tunnels.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2006
Size:
1 Cubic Feet (approximate)
Collection ID:
CFCH.SFF.2006
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Tucker, Irma
Tucker, Bobby, 1923-2008
Eckstine, Billy
Jones, Quincy, 1933-
More …
Dates:
1883-2007, undated
Size:
36 Cubic feet (88 boxes)
Collection ID:
NMAH.AC.1141
Repository:
Archives Center, National Museum of American History

The collection documents the life and musical career of Robert "Bobby" Tucker. The collection particularly emphasizes Tucker's close collaboration with Billy Eckstine over a forty-year period from approximately 1949-1990, and includes original orchestrations of arrangements by Tucker and other arrangers, a complete set of commercial recordings by Eckstine for which Tucker served as arranger, and ephemeral material including photographs, concert programs and news clippings.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1859-1957
Size:
0.23 Cubic feet (consisting of .5 box.)
Collection ID:
NMAH.AC.0060.S01.01.Gems
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Gems forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Ripley, Sidney Dillon, 1913-2001 interviewee
Dates:
1977-1993
Size:
48 audiotapes (reference copies).
Collection ID:
Record Unit 9591
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Cooper-Hewitt, National Design Museum. Product Design and Decorative Arts Department
Dates:
circa 1982-2009
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 13-240
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning and design of exhibitions at the Cooper-Hewitt, National Design Museum. The majority of the material consists of images of objects on loan or considered for loan to the museum for unspecified exhibitions. The remainder of the material includes correspondence, checklists, label text, ...

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