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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
circa 1968-1976
Size:
14.5 cu. ft. (29 document boxes)
Collection ID:
Record Unit 361
Repository:
Smithsonian Institution Archives

Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and ...

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1975-1979
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 87-156
Repository:
Smithsonian Institution Archives

This accession consists of records that document the exhibition Return to Albion: Americans in England, 1760-1940. Materials include correspondence with lenders, lender information sheets, photographs of works of art exhibited, photocopies of exhibition labels, exhibition catalog reproduction rights requests/forms, catalog photo orders, e...

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Creators:
American Art Association
Dates:
circa 1853-1929
bulk 1885-1922
Size:
27.8 Linear feet
Collection ID:
AAA.amerarta
Repository:
Archives of American Art

The American Art Association records measure 27.8 linear feet and date from circa 1853-1929, with the bulk of the material dating from circa 1885-1922. The records include auction and sales files, general financial and legal files, inventory and stock records, client files, printed materials, photographic materials, artwork, and the personal papers of founder Thomas Ellis Kirby.

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Creators:
National Portrait Gallery. Office of Education and Visitor Experience
Dates:
circa 1980-2016
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 19-028
Repository:
Smithsonian Institution Archives

This accession consists of the records of Jewell Robinson, Public Program Coordinator, who was responsible for public programming at the National Portrait Gallery (NPG). Documented in this collection is the series entitled Cultures in Motion, which acquainted adult audiences with the NPG collection by bringing its sitters to life through ...

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Creators:
Levy, Robert I. (Robert Isaac), 1924-
Dates:
1947-2001, undated
Size:
262 sound recordings
37.4 Linear feet (71 boxes, 5 map-folders)
Collection ID:
NAA.2014-11
Repository:
National Anthropological Archives

The Robert I. Levy papers document his field work, research and professional activities from 1949-2001 and primarily deal with his work studying social organization, culture, and their psychological effects in Tahiti and Nepal. The collection consists of correspondence, field notes, sound recordings of interviews with informants in Tahiti and Nepal, interview transcripts and analyses, language and culture research materials, maps, and color slides. Also included are files about his books, articles, essays, and lectures; course materials from his time as a professor at the University of California, San Diego (UCSD); and conference files.

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Creators:
Emmet family
Dates:
1792-1989
bulk 1851-1989
Size:
9.1 Linear feet
Collection ID:
AAA.emmefami
Repository:
Archives of American Art

The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.

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Creators:
Cooper-Hewitt, National Design Museum
Dates:
1976-2000
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 04-117
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the installation, development, and publicity of exhibitions and visitor response to those exhibitions. Materials include installation photographs, object lists, label copy, scripts, press releases, memoranda, correspondence, and visitor comment books. An exhibitions list is found at the front ...

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Creators:
Smithsonian Institution, Press, Editor, Special Projects
Dates:
1971-1995
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 96-029
Repository:
Smithsonian Institution Archives

These records document the Smithsonian career of Martin Williams, a noted jazz critic and essayist. Williams came to the Smithsonian Institution in 1971 as Director of the Jazz and American Culture Program in the Division of Performing Arts. In 1981 he was named Editor, Special Projects, at Smithsonian Institution Press (SIP), and from 19...

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Exhibits and Design
Dates:
1982-1984
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 99-006
Repository:
Smithsonian Institution Archives

This accession consists of correspondence maintained by Miranda McClintic, Assistant Curator for Exhibitions, pertaining to the Hirshhorn Museum and Sculpture Garden's tenth anniversary celebration. Much of the correspondence is with artists whose work was considered for exhibition. Also included are visitor comment forms that reflect complain...

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Creators:
Flack, Audrey
Dates:
1950-2009
Size:
15.8 Linear feet
0.897 Gigabytes
Collection ID:
AAA.flacaudr
Repository:
Archives of American Art

The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.

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