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Creators:
Grunbaum, Marian Hettner, b. ca. 1896
Dates:
1952-1980
Size:
0.2 Linear feet ((61 items partially microfilmed on 1 reel))
Collection ID:
AAA.grunmari
Repository:
Archives of American Art

A resume; a twelve-page autobiographical sketch; exhibition announcements; newspaper clippings; and 47 (unmicrofilmed) slides of Grunbaum's works of art.

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Creators:
National Museum of African Art. Office of External Affairs
Dates:
1983-2006
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 11-005
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the publicity of exhibitions and special events at the National Museum of African Art. Also included are materials relating to the opening of the museum in its mall location, the building's 10th anniversary celebration, and biographical information for Roslyn A. Walker (Director, 1997-2002) and ...

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1938-2001
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 08-058
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Staff represented include Harry Rand, Curator, Department of 20th Century Painting and Sculpture, SAAM; Louise Reeves, Exhibitions ...

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Creators:
David Gallery
Dates:
1963-1982
Size:
0.4 Linear feet ((on 3 microfilm reels))
Collection ID:
AAA.davigall
Repository:
Archives of American Art

REEL 3100: Exhibition announcements, 1965-1971.

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Creators:
Contemporary Arts Association (Houston, Tex.)
Dates:
1948-1979
Size:
0.2 Linear feet ((on 2 microfilm reels))
Collection ID:
AAA.contarts
Repository:
Archives of American Art

Correspondence; reports; clippings; catalogs; announcements; and photographs.

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Creators:
Graham Gallery
Dates:
1969-1984
Size:
2 microfilm reels
Collection ID:
AAA.grahgall
Repository:
Archives of American Art

Correspondence; photographs; and scrapbooks.

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Creators:
Uhler, Ruth Pershing, 1898-1969
Loomis, Sylvia Glidden
New Deal and the Arts Oral History Project
Dates:
1965 May 11
Size:
11 Pages (Transcript)
Collection ID:
AAA.uhler65
Repository:
Archives of American Art

An interview of Ruth Pershing Uhler conducted 1965 May 11, by Sylvia Loomis, for the Archives of American Art.

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Creators:
Johnson, Lucas
Dates:
1960-1982
Size:
2 microfilm reels
Collection ID:
AAA.johnluca
Repository:
Archives of American Art

A scrapbook containing exhibition annoucements, catalogs, invitations, and newspaper clippings; clippings; exhibition announcements, catalogs and invitations; book covers illustrated by Johnson, 1969-1980; and a photograph of Johnson at the easel.

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Creators:
Anacostia Museum and Center for African American History and Culture
Dates:
1996
Size:
8.5 Linear feet (15 boxes)
Collection ID:
ACMA.03-025
Repository:
Anacostia Community Museum Archives

An exhibitionn celebrating the work of five African American photographers who documented segregated black communities in Washington, D.C., rural Virginia, and New York City in the 1930s and 1940s. Curated by Deborah Willis the exhibition was held at the Smithsonian Arts & Industries Building, South Gallery from April 18, 1996 to September 29, 1996. Photographers included: Robert H. McNeil, The Scurlock Studio, Morgan and Marvin Smith, and Gordon Parks.

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Creators:
Breeskin, Adelyn Dohme, 1896-1986
Dates:
circa 1934-1986
Size:
2.5 Linear feet
Collection ID:
AAA.breeadel
Repository:
Archives of American Art

The papers of Baltimore, Maryland, and Washington D.C. art historian and museum curator Adelyn Dohme Breeskin, measure 2.5 linear feet and date from circa 1934-1986. The papers provide scattered documentation of Breeskin's career, focusing on writings and lectures delivered in the United States and abroad, and briefly documenting her work as an art exhibition juror, as a consultant, and as a teacher of a community art course. The collection also includes papers documenting some of Breeskin's research on Loren MacIver, Mary Cassatt, and others, and is comprised of biographical material, personal and professional correspondence with artists, friends, and colleagues, manuscript and lecture notes and drafts, professional files, sound recordings, and a few photographs.

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