Papers of art collectors Pauline Baerwald Falk (1910-2000) and Myron (Johnny) Falk Jr. (1906-1992), 1904-1998. Created and collected by the Falks, this collection includes: biographical data; black-and-white and color prints of art objects and people; photo albums of art objects in the Falk's art collection; symposium papers, scholarly reviews, and...

These papers document the professional career and to a lesser extent the personal life of Paul D. Hurd, Jr., between 1938 and 1982. Particularly well represented in the papers is material concerning his research on the insect order Hymenoptera; his teaching and research career at the University of California, Berkeley; his administrative ...

These papers document Preble's personal life and careers with the Bureau of Biological Survey and the American Nature Association, and include general correspondence, primarily incoming; published and unpublished manuscripts for scientific and conservation work; addresses and reports by others; field notebooks, diaries, lists and checklists ...

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

Collection of microfilmed translations of captured German documents mainly relating to supersonic research, swept-back wings, jet-propulsion, patents, explosives, ballistics, missiles, compressors, and other aeronautical subjects.

This collection consists of Sailer's professional correspondence with colleagues about matters entomological and taxonomic, determinations, and a small quantity of research notes; mingled in these files are letters from some of Sailer's associates and successors, especially Richard Charles Froeschner, Harry Gardner Barber, and Peter Dunni...

The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.6 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.

The records of New York City Kraushaar Galleries measure 91.9 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

The records of the Perls Galleries measure 79.6 linear feet and date from 1937 to 1997. Founded by Klaus Perls in 1937 and operating until 1997, the gallery dealt primarily in modern French art and the artwork of Alexander Calder. Found within the records are extensive correspondence (circa 44 linear feet) with artists, dealers, galleries, museums, and collectors; photographs and negatives of inventory and other artwork; exhibition files, scattered financial records; and exhibition catalogs and clippings.

The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 60.3 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.