This collection consists of motion pictures taken by veterinarians, keepers, directors, and other staff at the National Zoological Park (NZP) for research and documentation purposes. These motion pictures, along with footage shot for television news and other programs, were kept by the Office of Education as part of their mission to disseminat...

These records document the development of the National Museum of American Art's (NMAA) website. Around 1996 the NMAA formed a partnership with America Online (AOL) to host the Museum's website. Later, in 1998, the relationship with AOL came to an end when the Museum gained the expertise and infrastructure to assume responsibility for host...

The collection contains one hundred seventy eight (178) film photonegatives by G. Dwoyid Olmstead in 4 x 5 in. sheet and cut film and 2 1/4 x 2 1/4 in. (#120) rollfilm sizes; the rollfilm negatives are cut apart into either individual frames or double image strips. Most of the photographs were taken in the early 1940s in the Hill District, Pittsbur...

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

This accession consists of materials which document the creation and activities of the Hands On Science Center (HOSC) located in the National Museum of American History. HOSC was created as a part of the exhibition, Science and American Life which opened on April 27, 1994. The HOSC is a 1,500 square-foot interactive education center meant...

This accession consists of records documenting research done by Esin Atil, Coordinator of Special Programs and, later, Historian, on Seljuk architecture, manuscripts, metalwork, ceramics, stone carvings, textiles, and rugs. Materials include color and black and white photographs, color negatives, notes, bibliographies, clippings, photocopies ...

The Mamer collection includes a wide range of materials used to teach concepts and the usage of electricity to predominately rural audiences. Mamer kept many of her materials in labeled notebooks; other papers were filed loosely with no apparent order. The collection materials date pre-dominantly from the mid-1940s to the mid-1950s. There are some materials from the late 1930s. There is only one item from 1927 and one from 1999.

This accession consists primarily of files created by the Department of Applied Arts and Industrial Design for exhibitions held at the Cooper-Hewitt, National Design Museum from 1982 through 1991, particularly "Design in the Service of Tea," and "L'Art de Vivre: Decorative Arts and Design in France, 1789-1989." Exhibition records include ...

The collection documents the development and evolution of the Breck Girl, a highly successful and long-lived advertising campaign whose hallmark was its vision of idealized American womanhood through correspondence, photographs, paintings, and print advertisements.

The papers of silversmith and arts administrator Margret Craver Withers measure 9.6 linear feet and 0.002 GB and date from 1908 to 2016. The papers document her career as an silversmith and jeweler through biographical material; correspondence with family, friends, colleagues, and art organizations; manuscripts, notes, lectures, and other writings; professional activity records with various organizations; photographs, printed material, correspondence related to specific subject materials such as individuals or organizations; exhibition catalogs, clippings, published articles, and other printed materials; designs, sketches, sketchbooks, and other artwork; and personal photographs, some in digital format, and photographs and slides of works and works by other artists.