166 records — Page 6 of 17
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Creators:
Moore, Gene, 1910-1998
Dates:
1955-1995
Size:
10 Cubic feet (39 boxes)
Collection ID:
NMAH.AC.1280
Repository:
Archives Center, National Museum of American History

Collected display window photographs assembled by Gene Moore, artistic director of Tiffany & Company from 1955 to 1995, documenting window displays at Tiffany & Company's flagship store in New York City, New York.

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Creators:
Scott & Fowles (Firm)
Dates:
1904-1946
Size:
2.5 Linear feet
Collection ID:
AAA.scotfowl
Repository:
Archives of American Art

The artists' files of commercial New York art gallery Scott & Fowles measure 2.5 linear feet and date from 1904 to 1946. The majority of the collection contains photographs of artwork, biographical writings on the artists, and notes regarding sales transactions, artwork descriptions, and history of the ownership of artworks by artists such as Augustus John, Peter Lely, and Thomas Rowlandson. Also included in smaller amounts are letters, financial records, and clippings.

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Creators:
United States National Museum. Division of Birds
Dates:
circa 1854-1959
Size:
18.5 cu. ft. (37 document boxes)
Collection ID:
Record Unit 105
Repository:
Smithsonian Institution Archives

This collection consists of correspondence of the Division of Birds, most of which was conducted by the three curators listed above. There is a lesser amount of correspondence of Associate Curators. Also included is material concerning the history of the Division and distribution and destruction of specimens.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - Ceramics
Dates:
1972-2018
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 20-104
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Louise Allison Cort, Curator, 1995- ; Associate Curator, 1994-1995; Assistant Curator, 1989-1994; and Museum Specialist, 1985-1989. Topics documented in this accession include research, donations, appraisals, collaborations, and professional activities. Some records predate Cort's ...

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2009
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2009
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1750-1959
Size:
1.04 Cubic feet (consisting of 2 boxes, 1 folder, 6 oversize folders. )
Collection ID:
NMAH.AC.0060.S01.01.Furs
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Furs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Systematic Entomology Laboratory
Dates:
1910-1973
Size:
25 cu. ft. (50 document boxes)
Collection ID:
Record Unit 7309
Repository:
Smithsonian Institution Archives

This collection contains the official correspondence of the Systematic Entomology Laboratory, USDA, and its predecessors, 1925 to 1973. The correspondence, which is both incoming and outgoing, mostly concerns the identification of specimens sent to the USDA for determination. Smaller amounts of correspondence document research projects of...

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Creators:
Isaacs, Reginald R., 1911-
Dates:
circa 1842-1991
bulk 1928-1991
Size:
22.54 Linear feet
Collection ID:
AAA.isaaregi
Repository:
Archives of American Art

The papers of Reginald R. Isaacs measure 22.54 linear feet and date from 1842 to 1991, with the bulk of the material from 1928 to 1991. The collection includes Isaacs's personal and professional papers, as well as extensive research material he collected and created for his two-volume biography, Walter Gropius: The Man and His Work.

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Creators:
Howard Wise Gallery
Dates:
1943-1989
Size:
11.4 Linear feet
Collection ID:
AAA.howawisg
Repository:
Archives of American Art

The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.

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166 records — Page 6 of 17