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- Creators:
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National Museum of American History. Program in Black American Culture
- Dates:
-
circa 1976-1987
- Size:
-
6 cu. ft. (6 record storage boxes)
- Collection ID:
- Accession 98-136
- Repository:
-
Smithsonian Institution Archives
This accession consists of the records of Bernice Johnson Reagon, former Director of the Program in Black American Culture, 1982-1988. The material consists primarily of Reagon's correspondence and memoranda concerning the program and its administration; information on projects such as "Music of the Black American Composer" and "Voice of ...
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 26-July 7, 1996
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1996
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 23-July 4, 2000
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2000
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 24-July 5, 2015
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2015
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 16-September 6, 1976
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1976
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Archives Center, NMAH, SI.
Ravnitzky, Michael
- Dates:
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circa 1900-present
- Size:
-
29 Cubic feet (55 boxes)
- Collection ID:
- NMAH.AC.0404
- Repository:
-
Archives Center, National Museum of American History
This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.
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- Creators:
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Cotton Museum (Memphis, Tennessee)
National Cotton Council
- Dates:
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1939-1994
- Size:
-
38 Cubic feet (90 boxes)
- Collection ID:
- NMAH.AC.1176
- Repository:
-
Archives Center, National Museum of American History
The Maid of Cotton (MOC) beauty pageant was sponsored by the National Cotton Council, Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans from 1939-1993. The contest was held annually in Memphis, Tennessee until the National Cotton Council and Cotton Council International moved to Dallas, Texas. Beginning with the 1985 pageant (held December 1984) the competition was held in Dallas. The pageant was discontinued in 1993 due to lack of funds, a sponsor, and changes in marketing strategies. The records include files on contestants, photographs, and scrapbooks.
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- Creators:
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Community Life, Div. of, NMAH, SI
Sullivan family
Sullivan, W. Oscar, 1891-
- Dates:
-
1900-1960
- Size:
-
2.6 Cubic feet (8 boxes
)
- Collection ID:
- NMAH.AC.0072
- Repository:
-
Archives Center, National Museum of American History
Papers and photographs document the careers in show business (traveling medicine shows, vaudeville acts and acting in stage shows) of Mr. Sullivan, members of his family and associates.
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- Creators:
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Cuscuna, Michael
Wolff, Francis
- Dates:
-
1953-1966
1953-1966
- Size:
-
0.5 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.1238
- Repository:
-
Archives Center, National Museum of American History
Collection consists of photographic prints from negatives by the eminent jazz photographer Francis Wolff, depicting such greats as Miles Davis, John Coltrane, Thelonious Monk, and other important artists.
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- Creators:
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Smithsonian Productions
- Dates:
-
1993-2001
- Size:
-
1.5 cu. ft. (3 document boxes)
- Collection ID:
- Accession 06-274
- Repository:
-
Smithsonian Institution Archives
This accession consists of audio recordings of the Bill and Mary Meyer Concert Series presented by the Freer Gallery of Art and Arthur M. Sackler Gallery. Materials include original masters, session tapes, safety copies, and related materials. Materials also include programs for individual concerts, many with notes written by the engineer.