Oral history interview with June Schwarcz
Fisch, Arline M.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
An interview of June Schwarcz conducted 2001 January 21, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Schwarcz's home and studio, Sausalito, California.
Guy Pène Du Bois papers
The papers of painter and art critic Guy Pène Du Bois measure 2.0 linear feet and date from circa 1900 to 1963 with the bulk of the materials dating from 1920 to 1963. Found within the papers are biographical material; personal and professional correspondence, including letters from Royal Cortissoz and Edward Hopper; writings, including essays, journals, short stories, and drafts of the autobiography Artists Say the Silliest Things; personal business records; printed material; and artwork.
Division of Physical Anthropology collection of photographs of physical anthropologists
2 Prints (chalk manner lithograph)
3 Prints (etching)
23 Photomechanical prints (halftone, photogravure, and collotype)
152 Photographic prints (silver gelatin and albumen)
8 Copy prints
6 Copy negatives
1 Print (offset lithography)
1 Print (probably chromolithograph)
11 Negatives (acetate)
Photographs relating to physical anthropologists from the 19th and 20th centuries in Europe and the United States. Many of the photographs depict Smithsonian staff, particularly Ales Hrdlicka and T. Dale Stewart, as well as people and artifacts relating to physical anthropology throughout history. Some of the portraits are signed and the collection …
Louis E. Stern papers
Correspondence, writings, art work, photographs and printed material relating to Stern's art collection and his relationships with Marc Chagall and family, and with Reuvin and Esther Rubin.
Minna Wright Citron papers
The papers of painter, printmaker and muralist Minna Wright Citron measure 1.3 linear feet and date from 1930 to 1980. Found are scattered biographical materials, correspondence, writings for articles and lectures, printed material, photographs, and artwork.
Walter Pach papers
The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.
Charles M. Kurtz papers
The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
The Archives would like to thank Frederick J. Collier and Martin A. Buzas for their assistance in the transfer of these records to the Archives.
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives
Smillie, T. W. (Thomas William), 1843-1917
Talman, Hugh (photographer)
MacCormack, Forrest (intern)
Twenty glass plate negatives and reference copy prints of the images taken between the late 1880s and the early 1900s by Frances Benjamin Johnston and Thomas W. Smillie. The images depict the skyline of Washington D.C., views from the 1893 World's Fair: Columbian Exposition, blueprints for the Smithsonian Arts and Industries Building, and an unidentified orchestra.
This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic format. Exhibitions documented in this accession include …