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Creators:
Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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Creators:
Bohrod, Aaron
Dates:
1507-1994
bulk circa 1930-1994
Size:
17.8 Linear feet
Collection ID:
AAA.bohraaro
Repository:
Archives of American Art

The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Department of Design and Production
Dates:
1986-1995, 2001-2011
Size:
9.82 cu. ft. (1 record storage box) (2 16x20 boxes) (58 oversize folders)
Collection ID:
Accession 18-078
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the design process for exhibitions. The majority of the accession consists of exhibition drawings and floor plans for the Arthur M. Sackler Gallery with a smaller amount of material documenting exhibition updates and reinstallations at the Freer Gallery of Art. In addition to drawings, materials ...

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Creators:
Liebes, Dorothy
Dates:
circa 1850-1973
bulk 1922-1970
Size:
25 Linear feet
Collection ID:
AAA.liebdoro
Repository:
Archives of American Art

The papers of weaver, textile designer, and businesswoman Dorothy Liebes are dated circa 1850-1973 (bulk 1922-1970), and comprise 25 linear feet. Biographical information, subject files, correspondence, writings, artwork, financial records, scrapbooks, textile samples, printed material, sound recordings, and photographs document Liebes' career and personal life. Her second husband, Associated Press Reporter Relman "Pat" Morin, is also represented in the collection, although to a much lesser extent.

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Creators:
Cooper-Hewitt, National Design Museum. Department of Applied Arts and Industrial Design
Dates:
1978-1994
Size:
20.08 cu. ft. (19 record storage boxes) (1 document box) (1 tall document box)
Collection ID:
Accession 95-170
Repository:
Smithsonian Institution Archives

This accession consists primarily of files created by the Department of Applied Arts and Industrial Design for exhibitions held at the Cooper-Hewitt, National Design Museum from 1982 through 1991, particularly "Design in the Service of Tea," and "L'Art de Vivre: Decorative Arts and Design in France, 1789-1989." Exhibition records include ...

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Creators:
Osgood, Jere, 1936-
Gold, Donna, 1953-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 September 19-October 8
Size:
64 Pages (Transcript)
Collection ID:
AAA.osgood01
Repository:
Archives of American Art

An interview of Jere Osgood conducted 2001 September 19 and Oct. 8, by Donna Gold, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Osgood's home, in Wilton, N.H.

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Creators:
Cooper-Hewitt, National Design Museum
Dates:
1976-2000
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 04-117
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the installation, development, and publicity of exhibitions and visitor response to those exhibitions. Materials include installation photographs, object lists, label copy, scripts, press releases, memoranda, correspondence, and visitor comment books. An exhibitions list is found at the front ...

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Creators:
Bunch, Lonnie G.
Dates:
1952-2010
Size:
26.07 cu. ft. (24 record storage boxes) (3 16x20 boxes)
Collection ID:
Accession 19-200
Repository:
Smithsonian Institution Archives

The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions. The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists, ...

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Creators:
San Francisco Art Dealers Association
Dates:
1871-1978
bulk 1871-1920
Size:
9 microfilm reels
9 Sound cassettes (Sound recordings)
Collection ID:
AAA.sanfraaa
Repository:
Archives of American Art

Primarily records of the San Francisco Art Association (1871-1920), but also of the California School of Design (1873-1905) (briefly called the Mark Hopkins Institute of Art in 1893), the Palace of Fine Arts (1915-1945), The Western Round Table on Modern Art (1949), the San Francisco Art Institute (1911-1978), the San Francisco Museum of Art (1921-...

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Creators:
Gordon, Elizabeth, 1906-2000
Dates:
1958-1987
Size:
3 Linear feet
Collection ID:
FSA.A1988.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

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