John Vassos Papers
The papers of designer, illustrator, and muralist John Vassos measure 18.7 linear feet and date from 1915 to 1989. The papers include biographical materials, personal and professional correspondence, writings and writing project files, Industrial Designers Society of America (IDSA) files, Radio Corporation of American (RCA) files, Silvermine Guild of Artists files, general professional and committee files, printed materials, four scrapbooks, photographic materials, and artwork.
Study for Two Views by Shan Goshorn
1 Item (Artwork)
Study for Two Views is a woven reproduction of before-and-after portraits of Tom Torlino (1879), a Diné student at the Carlisle Indian School. The two portraits are woven together, creating one face out of two portraits. Ink-jet print and acrylic paint on paper mounted on board. Signed, titled, and dated on …
National Museum Building Construction Records
These records, together with record units 80, 81, and 187 contain full documentation of construction of the 1911 National Museum Building, from internal planning and contracts to construction details and costs. Rathbun prepared a history of the museum construction, which was published as A Descriptive Account of the Building Recently Erected for the Departments …
Henry Varnum Poor papers
bulk 1904-1970
The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.
Boeing Commercial Aircraft Marketing Documentation
This collection consists of documentation for Boeing's postwar commercial aircraft programs.
Elizabeth Gordon Papers
Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Longacre family papers
Correspondence, biographical and genealogical information, poems, notes, diaries, artwork, sketchbooks, photographs, business papers and printed material relating to the Longacre family, especially James Barton Longacre and Andrew Longacre.
Victor and Christine Romero film of Allan Houser
Romero, Christine Solinski
3 Sound tape reels (1/4 inch)
5 Videocassettes (Betacam)
0.25 Linear feet
This collection contains an unpublished documentary film shot on May 12, 1992 that depicts an interview with artist Allan Houser [Warm Springs Chiricahua Apache (New Mexico)] discussing his remembrances of painting murals at the U.S. Department of the Interior headquarters in Washington, DC in 1939-1940. The film was shot by Victor Romero (Isleta Pueblo) and Christine Romero.
Oral history interview with Wilhelmina Holladay
Wasserman, Krystyna
57 Pages (Transcript)
An interview of Wilhelmina Holladay conducted 2005 Aug. 17-Sept. 23, by Krystyna Wasserman, for the Archives of American Art, at Holladay's home, in Washington, D.C.
Exhibition Records
These records include the correspondence of Shannon and Schiesser; minutes of meetings; exhibition proposals; installation floor plans; scripts; conservation planning; budgets; and photographs of HMSG, art works, and artists; and modifications to the Museum's Sculpture Garden.
