114 records — Page 6 of 12
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Creators:
Davies, Diana, 1938-
Dates:
1963-2009
Size:
3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Collection ID:
CFCH.DAVIE
Repository:
Ralph Rinzler Folklife Archives and Collections

The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.

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Creators:
Short, Bobby
Dates:
1908-2006
Size:
13.6 Cubic feet (35 boxes)
Collection ID:
NMAH.AC.0946
Repository:
Archives Center, National Museum of American History

Bobby Short was a singer and pianist whose career spanned seven decades. An interpreter of American popular music, he became a performer in childhood and remained active until his death. He is best known for his more than 35 years as performer-in-residence at the Hotel Carlyle's Café Carlyle in New York City. This collection contains personal papers and photographs as well as business papers, musical materials and photographs relating to Mr. Short's career as a performing artist.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2006
Size:
1 Cubic Feet (approximate)
Collection ID:
CFCH.SFF.2006
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2000
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2000
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1969-1979
Size:
20.8 cu. ft. (30 document boxes) (10 tall document boxes)
Collection ID:
Record Unit 296
Repository:
Smithsonian Institution Archives

This record unit consists of master audio tapes for Radio Smithsonian programs 1-481, 1969-1978, and Smithsonian Galaxy editions 1-25, 1978-1979.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-7, 1968
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1968
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Press/Smithsonian Productions
Dates:
1991-1997
Size:
6.5 cu. ft. (6 record storage boxes) (1 document box)
Collection ID:
Accession 06-106
Repository:
Smithsonian Institution Archives

This accession consists of audio recordings documenting two similar radio series collectively known as "Folk Masters." "Folk Masters: Traditional Music in the Americas" was produced in 1991 in conjunction and features virtuosos of folk music in concert at Carnegie Hall. "Folk Masters from the Barns of Wolf Trap" was produced from 1992 to ...

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1992-1995
Size:
70 cu. ft. (70 record storage boxes)
Collection ID:
Accession 04-087
Repository:
Smithsonian Institution Archives

This accession consists of original audiotape recordings, on 2 inch reels, documenting the production of Folk Masters at the Barns of Wolf Trap: a concert series that presented diverse, traditional music and musicians from across the Americas in a major concert venue. The series was hosted and artistically directed by Nicholas R. Spitzer, ...

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1974-1983
Size:
10.14 cu. ft. (11 document boxes) (8 tall document boxes)
Collection ID:
Record Unit 588
Repository:
Smithsonian Institution Archives

This record unit consists of master audio tapes for Radio Smithsonian programs 482-533, 1979, and Smithsonian Galaxy editions 26-76, 1979-1981; and audio tapes of Smithsonian special events, concerts, lectures, interviews, symposia, and openings, 1974-1983.

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Creators:
Martin and Morris Music Company
Morris, Necey, Mrs.
Martin, Sallie
Morris, Kenneth, 1917-
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Dates:
circa 1930-1985
Size:
8.7 Boxes (27 boxes)
Collection ID:
NMAH.AC.0492
Repository:
Archives Center, National Museum of American History

Scope and Content Note The Martin and Morris Company Records date from ca. 1930 to 1985 and document a neglected part of the American music historical record. The collection is particularly important because of the company's contributions to the field of Gospel music. According to Horace Boyer (in We'll Understand It Better....), Martin and Morris...

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114 records — Page 6 of 12