Charles Pollock papers
The papers of painter, muralist, and educator Charles Pollock measure 3.1 linear feet and date from 1875 to 1994. Found within the papers are biographical materials; family and personal correspondence; subject files on art and professional topics; writings; printed material; artwork, including political cartoons and figurative sketches; and photographs of Pollock, his family and friends, and his work.
Department of Anthropology records
Smithsonian Institution. Department of Anthropology
Smithsonian Institution. United States National Museum. Department of Anthropology
The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.
Brannock Device Company Records
Park, Ernest N.
Brannock, Otis C.
Brannock, Charles F., 1903-1992
The Brannock Device Company began with the 1925 invention of the Brannock Device, a tool to measure foot length and width at the same time, by inventor and businessman Charles F. Brannock. Early in his career Brannock worked as a shoe salesman at the Park-Brannock shoe store, and in 1962 he became the CEO of the company. This collection documents both the Park-Brannock store and the Brannock Device. Materials in The Brannock Device Company Records, 1925-1998, include of correspondence, design drawings, United States and foreign patents and trademarks, advertisements, product information, sales records, photographs, and a film strip documenting the invention, promotion, and sale of the Brannock Device as well as the concurrent development of Park-Brannock as a leading shoe store in Syracuse, N.Y.
These records include the correspondence and memoranda of Paul V. Gardner, J. Jefferson Miller II, and Susan H. Meyers pertaining to private donations, loans, exhibition planning, identification of ceramic and glass pieces, conferences and seminars, staff research, and administrative matters. Also included are inquiries from collectors, museums, historical associations, university …
William Henry Holmes Papers
These papers include Holmes' personal and professional correspondence, including correspondence between other scientists, which was collected by Holmes in connection with his research. The correspondence mainly documents Holmes' research in American ethnology and archeology but also includes material dealing with international scientific meetings and professional conflicts. Also included are photographs …
Walt Kuhn Family papers and Armory Show records
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.
These records chiefly consist of curatorial responses to public inquiries. Included is correspondence from private collectors, museum curators, clothing manufacturers, college professors, historical associations, and individuals.
Richard Carver Wood Photographs
Wood, Richard Carver
Photographs taken by Wood including persons prominent in the New York City social, literary, and theatrical fields. Other subjects include architecture, landscapes, still life, dunes, military, and theater in the United States and other countries.
Linda Farris Gallery records
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.
This accession consists of the exhibition records of the National Museum of American Art, Curatorial Office. The records document exhibitions for David Gilmour Blythe, 1980-1981; Lilly Martin Spencer, 1971-1973; and the art of Seth Eastman, 1978.