322 records — Page 6 of 33
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Creators:
Messmore, George Harold
Messmore and Damon Company
Damon, Joseph
Dates:
1892 - 1998
Size:
16 Cubic feet (40 boxes)
Collection ID:
NMAH.AC.0846
Repository:
Archives Center, National Museum of American History

The records document Messmore and Damon's work in the design and construction of parade floats, museum dioramas, exhibitions, displays and scenery. The materials include business records, photographs, patents, scrapbooks, promotional materials, sound recordings and moving image.

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Creators:
Boatwright, Ruth Ellington, 1914-2004
Dates:
1923–1992
Size:
33 Cubic feet (77 boxes, 3 oversize folders)
Collection ID:
NMAH.AC.0415
Repository:
Archives Center, National Museum of American History

The collection consists of correspondence, appointment books, business records, music manuscripts, sound recordings, photographs, and ephemera documenting the activities of Duke Ellington and the management of Tempo Music, Incorporated. There is a small amount of material relating to the Ellingotn family.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Addison N., 1883-1964
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Dates:
1888-1996
Size:
200 Cubic feet
Collection ID:
NMAH.AC.0618
Repository:
Archives Center, National Museum of American History

The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, DC. Collection also includes business records and ephemera.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
National Collection of Fine Arts. Office of the Director
Dates:
1892-1960
Size:
22 cu. ft. (44 document boxes)
Collection ID:
Record Unit 311
Repository:
Smithsonian Institution Archives

This record unit documents the administration of William Henry Holmes, first Curator of the National Gallery of Art (NGA), 1907-1920, and Director of the Gallery, 1920-1932. To a lesser extent, it also documents the administration of Ruel P. Tolman, Acting Director of NGA, 1932-1937, and the National Collection of Fine Arts (NCFA), 1937-1946, ...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Green, Edward C. (Edward Crocker), 1944-
Dates:
circa 1970-2016
Size:
8.12 Linear feet (20 boxes)
Collection ID:
NAA.2016-31
Repository:
National Anthropological Archives

The papers of Edward C. Green, circa 1970-2016, document his work as an applied medical anthropologist and research consultant focusing principally on the distribution and prevention of AIDS and sexually transmitted diseases in Africa and South America. Much of Green's research and policy focus lay in understanding indigenous health belief systems and instituting locally-designed approaches to major health concerns. The collection consists of correspondence, field diaries and typed research, sound recordings, photographs, and published reports and articles, including material from his dissertation research among the Matawai Maroons of Suriname.

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Creators:
Custom Craft
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
1922-1994, undated
Size:
40 Boxes
Collection ID:
NMAH.AC.0618.S06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 primarily consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Heritage Preservation (Organization)
Dates:
1973-2014
Size:
39.1 cu. ft. (39 record storage boxes) (0.1 non-standard size boxes)
Collection ID:
Accession 15-306
Repository:
Smithsonian Institution Archives

This accession consists of records that document the history and activities of Heritage Preservation from its very beginnings as the National Conservation Advisory Council and the National Institute for the Conservation of Cultural Property. Among those areas documented include board meetings, workshops, the SOS! program, conservation awa...

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Creators:
Holly Solomon Gallery
Dates:
circa 1948-2003
Size:
200.6 Linear feet
0.002 Gigabytes
Collection ID:
AAA.hollsolg
Repository:
Archives of American Art

The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.

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322 records — Page 6 of 33