177 records — Page 6 of 18
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Creators:
Tibbles, Thomas Henry, 1840-1928
Dates:
1850-1956
bulk 1875-1905
Size:
2 Linear feet
41 Photographs
Collection ID:
NMAI.AC.066
Repository:
National Museum of the American Indian

The Thomas Henry Tibbles papers include documents that span Tibbles career as a journalist and lecturer on Indian rights from the 1870s until his death in 1928. Of particular note are the documents related to his work on the Standing Bear vs. George Crook Habeas Corpus trial. This includes articles, essays and talks written by Tibbles as well as co...

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Creators:
Woolworth, Alan R.
Weslager, C.A.
Witthoft, John, 1921-1993
Swauger, James Lee
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Dates:
1824-1992
bulk 1950-1982
Size:
10.25 Linear feet
Collection ID:
NAA.1994-30
Repository:
National Anthropological Archives

To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.

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Creators:
Rumsey, Mary Harriman, 1881-1934.
Dates:
1898-1900
1903
1914
bulk 1899-1899
Size:
396 Lantern slides
286 Photographic prints
1 Map
Collection ID:
NMAI.AC.053
Repository:
National Museum of the American Indian

The Mary Harriman Rumsey collection largely consists of photographic prints and lantern slides documenting the Harriman Expedition to Alaska in summer 1899. These depict members of the expedition and Alaskan scenery and people. The collection also includes scenic photographs of Alaska taken by Dora Keen in 1914 and photographs of Blackfeet, Hopi, Apache, and Suquamish Indians made by Edward Curtis in 1900 and 1903.

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Creators:
Buxton, Warren F., 1929-
Dates:
1949-1981
Size:
69 Photographic prints
24 Slides (photographs) (glass)
32 Slides (photographs)
Collection ID:
NMAI.AC.104
Repository:
National Museum of the American Indian

The Warren Buxton photograph collection includes photographic prints and slides made by Buxton in three different Native Communities. Series 1: Bruce Wynne (Spokane) and Family, 1965-1981, includes photographic prints of Spokane Artist and Leader Bruce Wynne and his family in Wellpinit, Washington. Series 2: U.S. Air Force Weather Station, Padlopin...

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Creators:
Silver Horn, 1860-1940
Dates:
ca. 1884-1897
Size:
1 Item (volume of 186 drawings (129 leaves, graphite, colored pencil, watercolor, ink, 35 x 30 cm.)
Collection ID:
NAA.MS4252
Repository:
National Anthropological Archives

Bound volume of preprinted US Army forms for recording results of target practice, subsequently filled with drawings of courting, hunting, warfare, Saynday stories, and scenes from the Kiowa Sun Dance by Silver Horn and other Kiowa artists, probably all Army scouts. The book also contains a 30- page pictorial diary by Silver Horn, spanning the peri...

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Creators:
Making Medicine, 1844?-1931
Fox, George W., 1853-1886
Dates:
ca. 1875-1878
Size:
1 Item (disbound volume of 21 drawings (22 leaves, graphite, colored pencil, and crayon, 22 x 29 centimeters)
Collection ID:
NAA.MS39B
Repository:
National Anthropological Archives

Drawings in an artists sketchbook, now disbound, including scenes of hunting, life at Fort Marion, wagons, trains and Indian camp life. Drawings lettered A-U, and individually captioned by George Fox. Inside the front cover the words "Drawn by" and "Cheyenne" are in handwriting of George Fox; the name, "Making Medicine", was written by the artist h...

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Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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Creators:
Metchewais [McLain], Kimowan
Dates:
1991-2011
Size:
871 Negatives (photographic)
1918 Slides (photographs)
989 Polaroid prints
15 Notebooks
0.8 Linear feet
1,496 Photographic prints
Collection ID:
NMAI.AC.084
Repository:
National Museum of the American Indian

The collection of Kimowan Metchewais [McLain], significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.

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Creators:
Yellow Nose, 1848-1910
Voth, H. R. (Henry R.), 1855-1931
Dates:
ca. 1889
Size:
1 Item (disbound volume of 85 drawings (53 leaves, graphite, colored pencil, and ink, 19 x 31 cm.)
Collection ID:
NAA.MS166032
Repository:
National Anthropological Archives

Ledger book, now disbound, containing drawings of warfare, courtship, hunting and ceremony. The pages are numbered 1-113, with the following numbers missing: 5-6, 27-28, 31-32, 69-70, 93-96. Endpaper inscribed "Cheyenne Agency, Darlington Ind[ian] Terr[itory]". Additional laminated sheet contains original collector's tag, associated note, and early...

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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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177 records — Page 6 of 18