Query: The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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in AAA.lipcjacq2 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Creators:
National Museum of African Art
Dates:
1963-1980
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 97-076
Repository:
Smithsonian Institution Archives

This accession consists of the records of Jean M. Salan, volunteer and eventual staff member of the Museum of African Art (MAA), 1964-1976; and Assistant Director for Administration of MAA, 1979-1980, when the Museum became part of the Smithsonian Institution on August 13, 1979. The records mostly consist of correspondence pertaining to MAA fundraising …

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in Accession 97-076 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Director
Dates:
1974-1984,with related records from 1954
Size:
24.43 cu. ft. (24 record storage boxes) (1 12x17 box)
Collection ID:
Record Unit 510
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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in Record Unit 510 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Exhibition Records
Dates:
circa 1955-1990 and undated
Size:
31.73 cu. ft. (31 record storage boxes) (1 tall document box) (1 oversize folder)
Collection ID:
Record Unit 363
Repository:
Smithsonian Institution Archives

This record unit contains a variety of records documenting the planning, design, and production of permanent and temporary exhibitions at the NMNH. It also contains smaller amounts of records concerning exhibitions held at the National Museum of History and Technology, National Air and Space Museum, National Collection of Fine Arts …

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in Record Unit 363 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Carnegie Institute, Museum of Art records
Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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in AAA.carninst for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Building Files
Dates:
circa 1850-2006
Size:
59 cu. ft. (59 record storage boxes) (10 oversize folders)
Collection ID:
Accession 06-225
Repository:
Smithsonian Institution Archives

This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references to other materials in the collection. Buildings …

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in Accession 06-225 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
C. J. (Clarence Joseph) Bulliet papers
Creators:
Bulliet, C.J. (Clarence Joseph), 1883-1952
Dates:
circa 1888-1959
Size:
34.6 Linear feet
Collection ID:
AAA.bullclar
Repository:
Archives of American Art

The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.

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in AAA.bullclar for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Athena Tacha papers
Creators:
Tacha, Athena, 1936-
Dates:
1959-2019
Size:
36.04 Linear feet
Collection ID:
AAA.tachathe
Repository:
Archives of American Art

The papers of sculptor and educator Athena Tacha measure 36.04 linear feet and date from 1959 to 2019. Found are biographical material, correspondence, writings and notes, research and writing files, commission and project files, teaching files from her position at Oberlin College, professional activities files, subject files, printed material, and photographic material. Of note are files documenting Tacha's numerous public art commissions throughout the United States.

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in AAA.tachathe for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Mary Slusser Collection
Dates:
1933-2017
Size:
28.57 Cubic feet
Collection ID:
FSA.A2015.21
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Mary Slusser (1918-2017) was a prominent scholar of Nepalese art, architecture, and cultural history. This collection contains personal files, professional correspondence, research files, travel documents, and photographs. The research files relate to her study of specific subjects and contain mixed media. Photographic materials include prints, slides, negatives, contact sheets, and digital …

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in FSA.A2015.21 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Institute of Contemporary Arts records
Creators:
Institute of Contemporary Arts (Washington, D.C.)
Dates:
1927-circa 1985
bulk 1947-1967
Size:
36 Linear feet
Collection ID:
AAA.instcona
Repository:
Archives of American Art

The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.

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in AAA.instcona for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
288 records — Page 6 of 29