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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
1967-present
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.Papers
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Cruz, Emilio, 1938-
- Dates:
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1961-2008
- Size:
-
5 Linear feet
- Collection ID:
- AAA.cruzemil
- Repository:
-
Archives of American Art
The papers of African American artist and writer Emilio Cruz measure 5 linear feet and date from 1961 to 2008. The collection includes biographical material, correspondence, writings, personal business records, exhibition and project files, printed material, and photographic material.
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- Creators:
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Drexler, Rosalyn
Lyon, Christopher
- Dates:
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2017 May 17-June 2
- Size:
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82 Pages (Transcript)
5 Items (Sound recording: 5 sound files (3 hr., 26 min.), digital, wav)
- Collection ID:
- AAA.drexle17
- Repository:
-
Archives of American Art
An interview with Rosalyn Drexler conducted 2017 May 17 and June 2 by Christopher Lyon, for the Archives of American Art, at Garth Greenan Gallery in New York, New York.
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- Creators:
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Midtown Galleries
- Dates:
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1904-1997
- Size:
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86.82 Linear feet
- Collection ID:
- AAA.midtgall
- Repository:
-
Archives of American Art
The records of Midtown Galleries measure 86.82 linear feet and date from 1904 to 1997. The collection documents the operation and general administration of the business and includes artist records, exhibition material, inventories, financial records, photographs, and printed material.
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 26-July 7, 1985
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1985
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Spencer, Frank, 1941-1999
Langham, Ian, 1942-1984
- Dates:
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1836-1999
bulk 1970-1999
- Size:
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40 Linear feet (94 boxes, 1 oversized box)
- Collection ID:
- NAA.2002-21
- Repository:
-
National Anthropological Archives
Frank Spencer was a historian of biological anthropology who began his career as a medical laboratory technician. His papers include correspondence, manuscripts, notes, research files, teaching materials, photographs, and audiotapes. Spencer's research on the Piltdown hoax as well as the Piltdown research of Ian Langham, whose work Spencer continued after his death in 1984, and Spencer's research on the life and career of Aleš Hrdlička for his dissertation are both represented in the collection.
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 30-July 11, 2006
- Size:
-
1 cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2006
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Davis, Gene, 1920-1985
- Dates:
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1920-2000
bulk 1942-1990
- Size:
-
17.7 Linear feet
- Collection ID:
- AAA.davigene
- Repository:
-
Archives of American Art
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.
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- Creators:
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Messmore, George Harold
Messmore and Damon Company
Damon, Joseph
- Dates:
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1892 - 1998
- Size:
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16 Cubic feet (40 boxes)
- Collection ID:
- NMAH.AC.0846
- Repository:
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Archives Center, National Museum of American History
The records document Messmore and Damon's work in the design and construction of parade floats, museum dioramas, exhibitions, displays and scenery. The materials include business records, photographs, patents, scrapbooks, promotional materials, sound recordings and moving image.
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- Creators:
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St. Cyr, Lili,, 1917-1999
Tombers, Mathew
- Dates:
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1917-1999
- Size:
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3 Cubic feet (10 boxes, 1 map folder)
- Collection ID:
- NMAH.AC.1451
- Repository:
-
Archives Center, National Museum of American History
The collection measures about 3 cubic feet, dates from 1917 to 1999, and documents the life and career of the prominent burlesque stripteaser Lili St. Cyr. Found within the papers are personal financial documents; photographs of her family; her personal passport holder; publicity shots of Dardy Orlando and herself; correspondence with family and friends; business contracts; newspaper clippings and magazine articles, featuring and advertising her work; and biographical materials, including notes, drafts, contracts, photographs, a couple audio reels, a recorded interview with St. Cyr on 18 audio cassette tapes, and two biographies. The papers reflect Lili St. Cyr's personality as a performer and as a person.