This collection is comprised of digital surrogates previously available on the 133 rolls of microfilm described in the NARA publication M1904. These digital surrogates reproduced the records of the Kentucky headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

This collection consists of six feet of material documenting Porter's many scientific contributions. The following types of material are included: photographs, lecture notes, correspondence, trip notes, newspaper clippings, symposium programs, papers, and periodicals, circa 1930s-1980s.

The collection is comprised of digital surrogates previously available on the 111 rolls of microfilm described in the NARA publication M1905. These digital surrogates reproduced the records of the staff officers of the Assistant Commissioner and the subordinate field offices of the Louisiana headquarters of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1863–1872. These records consist of bound volumes and unbound records containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

The papers of weaver, textile designer, and consultant Dorothy Liebes date from circa 1850-1973 (bulk 1922-1970) and comprise 24.7 linear feet. Through biographical material including a sound recording of an interview, family and general correspondence, writings including a draft of Liebes's autobiography, subject files providing detailed records of her influential consulting work, financial and legal files, printed material, scrapbooks, artwork, textile samples, and photographic material picturing a wide variety of career and personal activities, the collection provides rich and extensive documentation of Liebes's career and personal life.

William A. Smalley (1923-1997) was a missionary and anthropological linguist. This collection mainly concerns his work with Hmong scripts and the Khmu' language and contains correspondence, notes, writings, reference materials, photographs, and sound recordings.

The collection is comprised of digital surrogates previously available on the 106 rolls of microfilm described in the NARA publication M1910. These digital surrogates reproduced the records of the South Carolina field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872, including previously unfilmed records of the Office of the Assistant Commissioner, and records of the offices of staff officers, subordinate officers, and subordinate field offices. These records consist of bound volumes and unbound records, including letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

The Washburn Gallery records measure 47.9 linear feet and 4.805 gigabytes. The collection dates from 1906-2017, with the bulk of material dating from 1971-2010. Founded in 1971 by Joan Washburn, the New York gallery specializes in the work of 19th and 20th American artists, and has mounted hundreds of exhibitions in its four decade history. The collection documents the gallery's activities through administrative records, correspondence and subject files, artist files, exhibition files, art fair files, printed material, photographic material, and records from the Peridot Gallery, purchased by Washburn in 1971.

This collection consists of the corporate records of the Curtiss-Wright Corporation. Included in the collection are technical and engineering reports of Curtiss-Wright Airplane Division's operations in St. Louis (Robertson), MO (1935-1945) and Buffalo, NY, (1932-1945), as well as AAS Material Division and AAF Air Technical Services Command memorandum reports collected by Curtiss-Wright's St. Louis and Buffalo technical reference libraries. The collection also contains the files of Curtiss-Wright's Patent Department, which hold records of patents filed by Curtiss-Wright and patent-infringement cases involving Curtiss-Wright. Also included in the collection are specifications issued by and photos commissioned by the Keystone Aircraft Corporation (Huff-Daland Airplanes, Inc. until March 1927), which had been acquired by Wright in 1928 along with Loening Aeronautical Engineering Corp., and formed the Keystone Division of Curtiss-Wright until 1932 when Keystone's Bristol, PA factory closed its doors. The collection also contains financial records of the Curtiss-Wright Airports Corporation, which was liquidated in 1936, as well as an extensive negative collection featuring Curtiss-Wright aircraft from the 1930s and 1940s, concentrated especially on the war years.

The collection is comprised of digital surrogates previously available on the 21 rolls of microfilm described in NARA publication M1902. These digital surrogates reproduced the records of the District of Columbia field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870. Some pre-Bureau records dated 1863 and 1864 are included. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, registers of marriages, and employment registers.

Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.