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Creators:
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Custom Craft
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Dates:
1948-1954, undated
Size:
4 Boxes
Collection ID:
NMAH.AC.0618.S10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 10 documents the administrative activities of the school and the work of its students. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1907-1996, undated
Size:
66 Boxes
Collection ID:
NMAH.AC.0618.S08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1907-1996, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 8 consists of paperwork pertaining to the administration of the business, the financial documentation of the business, the records of sales, the advertising signs and promotions of the business, the files kept on employees, and other materials kept at the Scurlock Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1902-1995, undated
Size:
18 Boxes
Collection ID:
NMAH.AC.0618.S12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 12 primarily includes historical and background information about the family and studio, reference materials relating to the photography trade, and information pertaining to publications and exhibitions that used Scurlock photographs. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
Franz Bader Gallery
Dates:
1952-1992
Size:
1.9 Linear feet
Collection ID:
AAA.franbade
Repository:
Archives of American Art

The Franz Bader Gallery Scrapbooks and Guestbooks measure 1.9 linear feet and date from 1952 to 1992. The materials document the gallery's history in Washington D.C., the artists represented by the gallery, and the exhibitions held at the space. Included in the collection are gallery documentation consisting of biographical material about Franz Bader, correspondence relating to Bader and the gallery, printed material regarding exhibitions, photographs of the gallery space, and candid photographs from exhibition openings. The bulk of the collection is made up of gallery guestbooks which hold signatures and notes from gallery patrons, and scrapbooks including printed material related to Franz Bader Gallery's exhibitions, D.C.-based artists the gallery represented, and other gallery events.

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Creators:
Johnson, Charles Yothers, 1920-
Dates:
1947-1977
Size:
5.15 Cubic Feet ((7 legal document boxes) (3 flatboxes))
Collection ID:
NASM.1997.0060
Repository:
National Air and Space Museum Archives

This collection consists of a great variety of material relating to experiments performed at NRL. Included are reports, photographs, transparencies, rolled data and 167 glass slides.

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Creators:
Lang, Kate, 1910-1996
Dates:
1921-1996
Size:
1.1 Linear feet
Collection ID:
AAA.langkate
Repository:
Archives of American Art

The papers of self-taught artist Kate Lang consist of a biographical sketch; letters, cards, and instructions from a patron for paintings; notes and other writings; lists of sales and other financial records; newspaper articles about Lang; exhibition announcements; printed source material for paintings; and photographs and snapshots of Lang as a young girl as well as color photographs and snapshots of her artwork. The collection measures 1.1 linear feet and dates from 1921 to 1996.

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Creators:
Scurlock Studio (Washington, D.C.)
Dates:
1966
Size:
1 item (on paper, 7" x 5", Silver gelatin,unmounted.)
Collection ID:
NMAH.AC.1189
Repository:
Archives Center, National Museum of American History

Studio portrait of Ms. Berry, taken for newspapers announcements of her engagement to Togo Dennis West, Jr. Rubber-stamped on verso, "Scurlock / 900 You St., N.W. / Washington, D.C." Handwritten in ink on verso, "Miss Gail Estelle Berry" plus address. With xerographic copies of the New York Times announcement, Feb. 27, 1996,...

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Creators:
Baird Ornithological Club of Washington, D.C.
Dates:
1922-1949
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Record Unit 7110
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Swift, Mary
Dates:
1973-2004
Size:
8.2 Linear feet
Collection ID:
AAA.swiftmar
Repository:
Archives of American Art

The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and approximately 130 sound recordings of interviews conducted by Swift and panel discussions.

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