696 records — Page 51 of 70
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Creators:
National Museum of the American Indian. Museum Learning and Programs
Dates:
1984-2018
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 19-203
Repository:
Smithsonian Institution Archives

This accession consists of the records of Carolyn Rapkievian, Assistant Director for Interpretation, and document her work coordinating educational programs and outreach at the National Museum of the American Indian (NMAI). Rapkievian first began her tenure at NMAI shortly after the Museum of the American Indian in New York City was transferre...

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Dates:
1887-1986
Size:
2 Photographic prints (color)
6,859 Postcards (color, 10 x 15 cm. or smaller)
Collection ID:
EEPA.2001-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Picture postcards collected by Stephen Grant, Education Official, U.S. Agency for International Development (USAID), while serving in Africa.

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Creators:
Cunningham, Imogen, 1883-1976
Dates:
1903-1991
Size:
5.9 Linear feet
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.

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Creators:
Nadel, Leonard, 1916-1990
Dates:
1950-2006
bulk 1956-1960
Size:
3 Cubic feet (10 boxes)
Collection ID:
NMAH.AC.1313
Repository:
Archives Center, National Museum of American History

Photographer Leonard Nadel's supplemental material relating to and photographs of the Mexican braceros (manual laborers). They were photographed in California, Texas, and Mexico for the Ford Foundation's Fund for the Republic during the late 1950s and early 1960s in support of a report entitled Strangers in Our Fields by Dr. Ernesto Galarza.

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Creators:
Patterson, Frederick D. (Frederick Douglass), 1901-1988
Dates:
1882 - 1988
Size:
18.66 Linear feet (21 boxes)
Collection ID:
ACMA.06-010
Repository:
Anacostia Community Museum Archives

President of Tuskegee Normal and Industrial Institute (later Tukegee Institute; now Tuskegee University) from 1935 - 1953 and founder of the United Negro College Fund (1944). Patterson was born on October 10, 1901. Orphaned at age two, he was raised by his eldest sister, Wilhelmina (Bess), a school teacher in Texas. He studied at Iowa State College, where he received a doctorate in veterinary medicine in 1923 and a master of science degree in 1927. Five years later, he was awarded a second doctorate degree from Cornell University. Patterson taught veterinary science for four years at Virginia State College, where he was also Director of Agriculture. His tenure at Tuskegee University started in 1928 and spanned almost 25 years, first as head of the veterinary division, then as the director of the School of Agriculture and finally as Tuskegee's third president. He married Catherine Elizabeth Moton, daughter of Tuskegee University's second president, Dr. Robert R. Moton. Patterson also founded the School of Veterinary Medicine at Tuskegee in 1944, the same year he founded the United Negro College Fund (UNCF). The UNCF continues today as a critical source of annual income for a consortium of Historically Black Colleges and Universities, Tuskegee University among them.

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Creators:
National Museum of American Art. Office of Museum Programs
Dates:
circa 1981-1987
Size:
10.5 cu. ft. (10 record storage boxes) (1 document box)
Collection ID:
Record Unit 504
Repository:
Smithsonian Institution Archives

These records consist of materials regarding the National Survey of Accessibility in Museums in the United States, carried out by the Office of Museum Programs. Some exhibition records are also included, most notably More Than Land or Sky: Art from Appalachia. Other records relating to the National Survey of Accessibility in Museums in th...

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Creators:
Mr. Wizard Studios (Firm)
Herbert, Don (Donald Jeffry), 1917-2007
Dates:
1906-2008
bulk 1951-1995
Size:
26 Cubic feet (57 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1326
Repository:
Archives Center, National Museum of American History

The collection documents, through printed materials, photographs, audio and moving image, Don Herbert's career as a science educator under the persona of "Mr. Wizard" from 1951 until the 1990s.

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Creators:
National Museum of American Art. Office of Educational Programs
Dates:
1993-1997
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 05-031
Repository:
Smithsonian Institution Archives

This accession includes video and audio elements of three films produced for the National Museum of American Art's five-part interdisciplinary series called "America Past and Present." Series titles in this accession are "Public Sculpture: America's Legacy," "Land & Landscape: Views of America's History and Culture," and "Latino Art and C...

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Creators:
Barnett-Aden Gallery
Dates:
1954-1989
bulk 1961-1977
Size:
0.5 Cubic feet
Collection ID:
NMAAHC.A2014.63.32
Repository:
National Museum of African American History and Culture

The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.

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696 records — Page 51 of 70