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Creators:
Teller, Jane
Dates:
1911-1991
Size:
8.6 Linear feet
Collection ID:
AAA.telljane
Repository:
Archives of American Art

The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
1981-02 - 1982-09
Size:
11.38 Linear feet (23 boxes)
Collection ID:
ACMA.03-029
Repository:
Anacostia Community Museum Archives

An exhibition on Anna J. Cooper, Washington D. C. educator and author. It was organized by the Anacostia Neighborhood Museum and held there from February 1981 to September 1982. Louise Daniel Hutchinson served as curator. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, and floor plans.

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
undated
Size:
1.25 Linear feet (4 boxes)
Collection ID:
ACMA.03-044
Repository:
Anacostia Community Museum Archives

An exhibition on contemporary African American women artists curated by Robert L. Hall and exhibited at the Anacostia Museum of the Smithsonian Institution from November 1990 to April 1991. Artists included are: Erlena Chisolm Bland, Lilian Thomas Burwell, Yvonne Pickering Carter, Margo Humphrey, Martha Jackson-Jarvis, Viola Burley Leak, Winnie Owens-Hart, Stephanie E. Pogue, Malkia Roberts, Gail Shaw-Clemons, Sylvia Snowden, Renée Stout, Denise Ward-Brown, Joyce E. Wellman, and Adell Westbrook.

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Creators:
Clarke, J. F. Gates (John Frederick Gates), 1905-1990 interviewee
Dates:
1986
Size:
16 audiotapes (Reference copies). 25 digital .mp3 files (Reference copies).
Collection ID:
Record Unit 9555
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Society for Marine Mammalogy
Dates:
1979-1996
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 98-135
Repository:
Smithsonian Institution Archives

This accession consists of correspondence, memoranda, and other planning documents pertaining to Society for Marine Mammalogy (SMM) biennial meetings and symposia. Materials include some photographs and a collection of oral histories on video and audiocassette tapes. Membership files are also included in this accession.

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
circa 1977-1978
Size:
15.25 Linear feet (26 boxes)
Collection ID:
ACMA.03-039
Repository:
Anacostia Community Museum Archives

An exhibition on history of the Anacostia neighborhood of Washington, D. C. The show was organized by the Anacostia Neighborhood Museum and held there from March of 1977 to March 1978. Louise Daniel Hutchinson served as curator. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit script, administrative records, brochures, posters, press coverage, education packets, loan agreements, floor plans, and catalogues.

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Creators:
Smith, Joseph Lindon, 1863-1950
Dates:
1647-1965
bulk 1873-1965
Size:
8.8 Linear feet
Collection ID:
AAA.smitjose
Repository:
Archives of American Art

The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

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Creators:
Anacostia Community Museum
Smithsonian Institution. Anacostia Community Museum
Dates:
1983-09-18 - 1983-12-18
Size:
1.42 Linear feet (2 boxes)
Collection ID:
ACMA.03-001
Repository:
Anacostia Community Museum Archives

An exhibition featuring the works of artists Lou and Di Stovall organized by the Anacostia Neighborhood Museum and held there from September 18 --December 18, 1983. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

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Dates:
1836 - 2015
Size:
40 Cubic feet (85 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1319
Repository:
Archives Center, National Museum of American History

This collection consists of archival materials compiled by National Museum of American History Curator Katherine Ott, on numerous subjects relating to disability and the rights of the disabled.

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Creators:
Weber, Max, 1881-1961
Dates:
1902-2008
Size:
11.8 Linear feet
Collection ID:
AAA.webemax
Repository:
Archives of American Art

The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.

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