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Creators:
Whitney Museum of American Art
Dates:
1914-1966
Size:
78 Microfilm reels
Collection ID:
AAA.whitmuse
Repository:
Archives of American Art

REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.

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Creators:
Dwight, Edward H., 1919-1981
Dates:
1821-2001
bulk 1950-1979
Size:
18.6 Linear feet
Collection ID:
AAA.dwigedwa
Repository:
Archives of American Art

The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.

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Creators:
Wilbur H. Burnham Studios
Dates:
circa 1901-1991
Size:
38.5 Linear feet
Collection ID:
AAA.wilbhbur
Repository:
Archives of American Art

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 38.5 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material. There is a 2.6 linear foot unprocessed addition to this collection donated in 2021 that includes includes awards, printed material, passports, biographical material, Christmas cards, photographs, slides and postcards of stained lass windows, posthumous material, a bound ledger, legal papers, invoices and receipts, project files and glass plate negatives. Materials date from circa 1901-1991.

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Creators:
National Museum of American History (U.S.). Division of Electricity and Modern Physics
Hammer, William J. (William Joseph), 1858-1934 (electrical engineer)
Dates:
circa 1847-1989
Size:
36 Cubic feet (124 boxes, 3 map-folders)
Collection ID:
NMAH.AC.0069
Repository:
Archives Center, National Museum of American History

Original documents and papers generated by William J. Hammer and by various companies and individuals with whom he was associated. Includes material related to the research and inventions of Edison, Bell, Tesla, the Curies, etc.

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Creators:
Vedder, Elihu, 1836-1923
Dates:
1804-1969
bulk 1840-1923
Size:
9.2 Linear feet
Collection ID:
AAA.veddelih
Repository:
Archives of American Art

The papers of painter and illustrator Elihu Vedder measure approximately 9.2 linear feet and date from 1804-1969, with the bulk of the material dating from 1840-1923. The collection documents Vedder's personal life and work. Best known for his illustrations of the 1884 edition of The Rubaiyat of Omar Khayyam, Vedder's papers include correspondence, writings, diaries, photographs, a limited number of drawings, books and printed material, legal and financial papers, and scattered personal and family papers.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Smithsonian American Art Museum. Office of Design and Production
Dates:
1970-2000
Size:
4.08 cu. ft. (4 record storage boxes) (1 oversize folder)
Collection ID:
Accession 01-108
Repository:
Smithsonian Institution Archives

This accession consists of records that document the design, production, and installation of permanent and temporary exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. There are also records related to the renovation of the Alice Pike Barney Studio House. Materials include drawings, sketches, floor plans, correspondenc...

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Creators:
Spark, Victor D. (Victor David), 1898-1991
Dates:
circa 1830-1983
bulk 1930-1970
Size:
22.2 Linear feet
Collection ID:
AAA.sparvict
Repository:
Archives of American Art

The Victor D. Spark papers measure 22.2 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970. The papers document Spark's career as a New York City art dealer and appraiser who was most active from World War II through the 1970s, focusing on Old Masters paintings and 19th and early 20th century American art. Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1977-1998
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 99-161
Repository:
Smithsonian Institution Archives

This accession consists of outgoing loans and pertain to accepted, denied, and withdrawn loan requests. Materials include correspondence, memoranda, original loan conservation examination reports with the loan committee's comments, and copies of loan agreements.

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Creators:
Volkersz, Willem
Dates:
1975-1985
Size:
2.6 Linear feet
Collection ID:
AAA.volkwill
Repository:
Archives of American Art

The Willem Voklersz interviews measure 2.6 linear feet and date from 1975-1985. The collection consists of twenty-nine sound cassettes containing thirty-one interviews of folk artists conducted by Volkersz for a personal research project, a monologue, and readings by Volkersz of notes on individual artists. Subjects include folk artists such as Howard Finster, Jesse Howard, and St. EOM (Eddie Owens Martin). Also found are thirty-seven transcripts of the recordings.

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