The collection is comprised of digital surrogates previously available on the 42 rolls of microfilm described in the NARA publication M1906. These digital surrogates reproduced the records of the Maryland and Delaware field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

Collection consists of lantern slides and stereographs produced by several companies: Keystone View Company, Better America Lecture Service, Incorporated, American Press Association, J. Stanley-Brown, William H. Rau, and J. F. Maertz Department Store. The lantern slides were primarily intended to be used for educational presentations about the United States, other countries, history, and society. Many of the slides and stereographs are accompanied by descriptive text and in some instances by small cards--one card for each slide--and in other instances directly on the back of a stereoview. The majority of images were taken from 1900 to 1930.

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

The records of the Corbino Galleries, a Florida gallery representing American, Latin American, and other emerging artists, measure 5.3 linear feet and date from 1979-2007. The collection documents the gallery's activities through administrative files and business records, artist files, and printed materials.

This collection documents Cowan's career as a systematic botanist at the New York Botanical Garden, USNM, and NMNH. Included are incoming and outgoing correspondence concerning the identification of specimens, the preparation of scientific papers and monographs, and professional activities; a subject file mostly documenting his research; ...

This finding aid was digitzed with funds generously provided by the Smithsonian Institution Women's Committee.

Papers relate to Mr. Faust's diverse career, including information on advertising in the 1920s, including two marketing studies from 1920 1922 of Sabetha, Kansas; his War Production Board experience, 1943-1944, which demonstrates the magnitude of that operation, its contribution to the war effort, and the extensive involvement of the American public in the salvage effort; and correspondence relating to his employment with and retirement from the Mutual Broadcasting Company, 1945-1948. These papers constitute a personal record of a successful career which reached its peak with important wartime civilian service.

The Hal Glicksman papers relating to California artists measures 2.3 linear feet and date from 1936-2010, with the bulk of the records dating from 1960-1974. The collection is composed of artist files documenting Glicksman's relationship with various California artists as well as some of his personal papers.

Projects represented in these records include the National Collection of Fine Arts, the National Portrait Gallery, and the acquisition of the Patent Office Building; Smithsonian Associates; National Armed Forces Museum Advisory Board; National Council on the Arts; extensive liaison with the Astrophysical Observatory and its stations around ...

This accession consists of materials that document the planning and execution of exhibitions at the National Museum of American Art. Records were created and maintained by Louise Reeves, Exhibitions Coordinator. Materials include checklists, loan files, installation photos, press kits, correspondence and memoranda, label text, catalog text, s...