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Creators:
Evergood, Philip, 1901-1973
Dates:
1953-1955
Size:
5 Items ((on partial microfilm reel))
Collection ID:
AAA.everphil2
Repository:
Archives of American Art

Four letters and a postcard to collectors Florence and Alex Stroll. Evergood discusses his exhibits and plans and thanks the Strolls for purchasing his painting "Rural Scene." Also included is an announcement from the Terry Dintenfass Gallery signed by Evergood.

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Creators:
Beal, Jack, 1931-
Cummings, Paul
Dates:
1968 March 27
Size:
35 Pages (Transcript)
Collection ID:
AAA.beal68
Repository:
Archives of American Art

An interview of Jack Beal conducted 1968 March 27, by Paul Cummings, for the Archives of American Art.

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Creators:
Davidson, Morris, 1898-1979
Dates:
1925-1978
Size:
2.2 Linear feet ((partially microfilmed on 1 reel))
Collection ID:
AAA.davimorr
Repository:
Archives of American Art

Correspondence; photographs; manuscripts; clippings; and exhibition catalogs and announcements.

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Creators:
Wilson, John, 1922-2015
Dates:
circa 1939-1993
Size:
5 Microfilm reels
1 Cassette (Sound recording, analog)
Collection ID:
AAA.wilsjohn
Repository:
Archives of American Art

This microfilm collection of the papers of African American painter, sculptor, illustrator, printmaker, and educator John Woodrow Wilson contains biographical material such as autobiographical notes, school records, personal documents, and a bibliography; personal and business correspondence, undated and 1938-1993; files on the New York City Board ...

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Creators:
Chavez, Edward Arcenio, 1917-1995
Dates:
1917-1982
bulk 1941-1973
Size:
0.9 Linear feet
Collection ID:
AAA.chavedwa
Repository:
Archives of American Art

The papers of painter and sculptor Edward Arcenio Chavez measure 0.9 linear feet and date from 1917 to 1982 with the bulk of the material dating from 1941 to 1973. The collection is comprised of biographical material, personal business records related to the Federal Works Agency and other projects, printed materials, and photographic materials.

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Creators:
Lewis, Golda, d. 2005
Dates:
1950-2004
Size:
2.1 Linear feet
Collection ID:
AAA.lewigold
Repository:
Archives of American Art

The papers of Golda Lewis measure 2.1 linear feet and date from 1950-2004. The records document Lewis's career through personal and professional files, some sound and video recordings, printed material, and photographs.

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Creators:
Schucker, Charles, 1908-1998
Dates:
1934-2001
Size:
1.2 Linear feet
Collection ID:
AAA.schuchar
Repository:
Archives of American Art

The papers of New York abstract painter and educator Charles Schucker measure 1.2 linear and date from 1934 to 2001. Schucker's career as a painter is documented by biographical material, letters, writings, subject files, printed material, artwork, and photographs.

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Creators:
Hombordy, Hanna Lore
Dates:
[194-]-1955
Size:
0.5 Cubic feet
Collection ID:
NMAH.AC.1273
Repository:
Archives Center, National Museum of American History

The project files include booklets: "Elements of Design" (1953-54); "Appearance Design" (1954); packaging and label designs and prototypes, photographs of drawing machinery, clippings, and misc. designs and printed advertisements for shoes, antennas, and candies.,This collection documents Hombordy's work as a graphics designer in the late 1940s and...

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Creators:
PTE Fine Arts
Dates:
1953-2007
Size:
0.4 Linear feet
0.25 Gigabytes (25 computer files)
Collection ID:
AAA.ptefinea
Repository:
Archives of American Art

The PTE Fine Arts records measure 0.4 linear feet and 0.25 gigabytes, and date from 1953 to 2007. The collection includes artist files on Theodoros Stamos and Rudolf Bauer containing correspondence, business records, printed materials, photographs, and digital recordings of interviews with Stamos; business files for the Hinterreiter Foundation and Guggenheim Museum; and five exhibition guest books.

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Creators:
Avery, Sally
Seckler, Dorothy Gees, 1910-1994
Dates:
1967 November 3
Size:
58 Pages (Transcript)
Collection ID:
AAA.avery67
Repository:
Archives of American Art

An interview of Sally Michel Avery conducted 1967 November 3, by Dorothy Seckler, for the Archives of American Art.

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