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Creators:
Stocksdale, Kay Sekimachi
Stocksdale, Bob, 1913-2003
Dates:
circa 1900-2015
Size:
19.5 Linear feet
0.125 Gigabytes
Collection ID:
AAA.stockbob
Repository:
Archives of American Art

The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

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Creators:
Tworkov, Jack
Dates:
1926-1993
Size:
9.7 Linear feet
Collection ID:
AAA.tworjack2
Repository:
Archives of American Art

The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.

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Creators:
Allen, Harriet Collins
Dates:
1897-1925
Size:
0.2 Linear feet
Collection ID:
AAA.alleharr
Repository:
Archives of American Art

The papers of art patron Harriet Collins Allen measure 0.2 linear feet and date from 1897-1925. Found within the papers are letters primarily written by Solon Borglum and his wife, Emma, to Harriet Collins Allen. The letters were written from Omaha, London, Paris, and New York and provide a cursory overview of some of the events in Borglum's career and insights into his relationship with his older brother sculptor Gutzon Borglum. Borglum writes about meeting and working with other sculptors in Paris and New York and his wife writes about conflicts between the two brothers and exhibitions of Solon's work. Also found within the papers are clippings, a brochure for Borglum's book A Comparative Analysis of Natural Forms and Their Relation to the Human Figure, and photographs of Borglum in his studio and of his works.

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Creators:
Finkel, Bruria, 1932-
Dates:
1953-2020
Size:
12.1 Linear feet
83.59 Gigabytes
Collection ID:
AAA.finkbrur
Repository:
Archives of American Art

The papers of California artist, curator, and educator Bruria Finkel measure 12.1 linear feet and 83.59 GB, and date from 1953 to 2020. This collection includes biographical materials, correspondence, writings, project files, professional records, exhibition files, artists' files, personal business records, printed and digital materials, photographic materials, and sound and video recordings.

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Creators:
Ritchie, Andrew Carnduff
Dates:
1907-1983
Size:
10.3 Linear feet
Collection ID:
AAA.ritcandr2
Repository:
Archives of American Art

The papers of museum director, professor, writer, and post-World War II Monuments Men Andrew Carnduff Ritchie measure 10.3 linear feet and date from 1907 to 1983. Found within the papers are biographical material, including materials and photographs concerning his military service in the Monuments, Fine Arts, and Archives Section of the U.S. Army; correspondence, including letters from numerous artists; writings; committee and organization files; exhibition and project files, teaching files; printed material; and photographs, including portrait images of Ritchie taken by Hans Namuth.

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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Creators:
Antonakos, Stephen, 1926-2013
Dates:
1932-2014
bulk 1960-2014
Size:
24.2 Linear feet
1.73 Gigabytes
Collection ID:
AAA.antostep
Repository:
Archives of American Art

The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.

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Creators:
Hudson de Leon, Jerry, circa 1905-1980
Dates:
circa 1920s-1980
Size:
0.9 Linear feet
Collection ID:
AAA.hudsjerr
Repository:
Archives of American Art

The papers of illustrator, painter and teacher Jerry Hudson de Leon measure 0.9 linear feet and date from circa 1920s-1980. The papers primarily feature her sketches done in pencil, pen, watercolor and pastel. Also included in this collection are personal letters, various printed materials as well as examples of her illustration work.

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Creators:
Brown, William J. (William Joseph), 1923-1992
Brown, Jane Brennan, 1931-
Dates:
circa 1940-2014
Size:
7.9 Linear feet
0.32 Gigabytes
Collection ID:
AAA.browwill
Repository:
Archives of American Art

The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet and 0.32 gigabytes. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.

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Creators:
Renwick Gallery
Dates:
1957, 1961-1989, 1997-2003
Size:
25 cu. ft. (25 record storage boxes)
Collection ID:
Accession 10-128
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with m...

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