580 records — Page 51 of 58
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Creators:
Park, Marlene, 1931-
Dates:
1931-1999
Size:
5.8 Linear feet
Collection ID:
AAA.parkmarl
Repository:
Archives of American Art

The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.

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Creators:
Frances Wolfson Art Gallery
Dates:
1973-1994
Size:
5 Linear feet
Collection ID:
AAA.franwola
Repository:
Archives of American Art

The records of the Frances Wolfson Art Gallery measure 5 linear feet and date from 1973 to 1994. The Gallery was established in 1976 on the Mitchell Wolfson New World Center Campus of the Miami-Dade Community College. It focused on the art of the local Latino community in addition to serving the needs of the College's arts and humanities students. Materials document exhibitions held at the Gallery and the general administration of the Gallery through correspondence, business records and printed material.

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Creators:
National Air and Space Museum. Exhibits Design Department
Dates:
1973-2017
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 18-244
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by David A. Romanowski, Writer-Editor, documenting the development of exhibitions and portions of exhibitions at the National Air and Space Museum and the Steven F. Udvar-Hazy Center. A small amount of records also document Exhibits Design Department activities, procedures, and non-exhi...

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Creators:
Gellert, Hugo, 1892-1985
Dates:
1916-1986
Size:
6.9 Linear feet
Collection ID:
AAA.gellhugo
Repository:
Archives of American Art

The papers of graphic artist, muralist, and activist Hugo Gellert measure 6.9 linear feet and date from 1916 to 1986. They document his career as an artist and organizer for the radical political left through an interview, legal papers, financial records, family papers, artifacts, correspondence, writings, organizational records, extensive printed materials (many of them illustrated by Gellert), photographs, and artwork.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1969-1983
Size:
5.5 cu. ft. (11 document boxes)
Collection ID:
Record Unit 589
Repository:
Smithsonian Institution Archives

This record unit consists of master audio tapes for Smithsonian Galaxy editions 77-125, 1981-1983, and Radio Smithsonian programs 534-574, 1980; and scripts of Radio Smithsonian programs 1-400.

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Creators:
Goodrich, Lloyd, 1897-1987
Dates:
1884-1987
bulk 1927-1987
Size:
35.7 Linear feet
Collection ID:
AAA.goodlloy
Repository:
Archives of American Art

The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.

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Creators:
Lodge, Arthur
National Association of Manufacturers
Arthur Lodge Productions.
Dates:
1950 - 1959
Size:
42.5 Cubic feet
Collection ID:
NMAH.AC.0507
Repository:
Archives Center, National Museum of American History

Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2013
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2013
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1999
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1999
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Castleman, Riva
Dates:
1871
1930-2013
Size:
10.6 Linear feet
7.83 Gigabytes
Collection ID:
AAA.castriva
Repository:
Archives of American Art

The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.

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580 records — Page 51 of 58