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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2012
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2012
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Congress of American Indians
Dates:
1933-1990
bulk 1944-1989
Size:
251 Linear feet (597 archival boxes)
Collection ID:
NMAI.AC.010
Repository:
National Museum of the American Indian

The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.

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Creators:
National Museum of American Art. Office of Program Support
Dates:
1947-1981
Size:
146.04 cu. ft. (5 record storage boxes) (280 document boxes) (1 5x8 box) (1 film box) (2 oversize folders)
Collection ID:
Record Unit 321
Repository:
Smithsonian Institution Archives

The records of the Office of Program Support, National Museum of American Art, 1965-1981, with related records from 1947, were received in the Archives from 1981 through 1994.

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Creators:
National Portrait Gallery. Office of the Registrar
Dates:
1994-1999
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 00-128
Repository:
Smithsonian Institution Archives

This accession consists of exhibition loan records. Materials include loan agreements, correspondence, memoranda, condition reports (with photographs of objects), receipts, and notes.

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Creators:
Fischbach Gallery
Dates:
1937-2015
bulk 1963-1977
Size:
39.5 Linear feet
Collection ID:
AAA.fiscgall
Repository:
Archives of American Art

The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials. The 2015 addition of 14 linear feet consists of inventory and client sales records in the form of card indexes. The 2019 addition consists of material related to Marilyn Fischbach's art collection.

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Creators:
National Museum of African Art. Associate Director for Collections and Research
Dates:
circa 1983-1993
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 94-027
Repository:
Smithsonian Institution Archives

This accession consists of the records of Roy Sieber, Associate Director for Collections and Research at the National Museum of African Art (NMAfA), from 1983 to 1993. Materials include incoming and outgoing correspondence with other museums, universities, private collectors, and the general public; information pertaining to NMAfA exhibitions,...

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Creators:
Hays, Lee, 1914-1981
Dates:
1923-1981
Size:
6.95 Cubic feet (Papers)
0.9 Cubic feet (Audiorecordings)
Collection ID:
CFCH.HAYS
Repository:
Ralph Rinzler Folklife Archives and Collections

The Lee Hays papers measures 7.85 cubic feet and dates from 1923 to 1981. The collection includes original writings, correspondence, and miscellaneous projects by Lee Hays; business records, interviews and features related to Lee Hays, including photographs; clippings saved by Lee Hays; and audiorecordings made by Lee Hays.

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Creators:
Archives of American Art
Dates:
1950-2003
Size:
55.43 cu. ft. (54 record storage boxes) (1 12x17 box) (1 oversize folder)
Collection ID:
Accession 06-089
Repository:
Smithsonian Institution Archives

This accession consists of records which document administrative issues, projects, and special events at the Archives of American Art and regional offices. Materials include correspondence, memoranda, and notes pertaining to grants, loans, fundraising, membership, contributions, policies and goals, marketing, public relations, educational ...

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Creators:
Pomerantz, Louis
Dates:
1937-1988
bulk 1950-1988
Size:
34.2 Linear feet
Collection ID:
AAA.pomeloui
Repository:
Archives of American Art

The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.

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Creators:
Howard Wise Gallery
Dates:
1943-1989
Size:
11.4 Linear feet
Collection ID:
AAA.howawisg
Repository:
Archives of American Art

The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.

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