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Creators:
Bickley, Everett H., 1888-1972
Dates:
1919-1980
bulk 1919-1965
Size:
5 Cubic feet (17 boxes)
Collection ID:
NMAH.AC.0683
Repository:
Archives Center, National Museum of American History

The Everett H. Bickley Collection, 1919-1980, documents the inventions of Everett Huckel Bickley, most known for his electric sorting machine used to automate the process of sorting beans by use of a photoelectric cell. The collection consists of patents, drawings, photographs, correspondence, and artifacts designed by Bickley. The collection spans a considerable portion of the twentieth century and is of value to those researchers interested in product development, the patent application process, product marketing and promotion, World War II innovation, and the daily operation of a small, privately-owned industry.

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Creators:
Joseph, Katherine
Hertzberg, Suzanne
Dates:
1962 - 1962
1938-1944
bulk 1941-1941
Size:
1 sound disc (33 1/3 RPM)
1 Cubic foot (3 boxes)
Collection ID:
NMAH.AC.0944
Repository:
Archives Center, National Museum of American History

Papers document Katherine Joseph's career as staff photographer for the International Ladies' Garment Workers' Union. The papers contain negatives and prints taken in Mexico, and some photographs of a White House event in 1938, featuring Franklin and Eleanor Roosevelt; and images of American workers on the home front during World War II.

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Creators:
Ronnebeck, Arnold, 1885-1947
Dates:
1884-2002
Size:
4.24 Linear feet
Collection ID:
AAA.ronnarno
Repository:
Archives of American Art

The papers of sculptor Arnold Rönnebeck and painter Louise Emerson Ronnebeck measure 4.24 linear feet and date from 1884-2002. The collection contains biographical material, family and professional correspondence, sketches and drawings, writings, a scrapbook, and printed material. There are also numerous photographic prints, copy prints, negatives, and 7 glass plate negatives of the Rönnebecks and their artwork, travels, family, and friends, including Charles Demuth, Marsden Hartley, Alfred Stieglitz, and Tony Luhan.

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Creators:
Panofsky, Erwin, 1892-1968
Dates:
1904-1990
bulk 1920-1968
Size:
19.8 Cubic feet
Collection ID:
AAA.panoerwi
Repository:
Archives of American Art

The papers of Erwin Panofsky measure 19.8 linear feet and are dated 1904-1990 (bulk dates 1920-1968). They consist of correspondence, writings, biographical material, and printed material documenting Panofsky's career as an art historian, teacher, and writer. The Panofsky papers are comprised mainly of correspondence with colleagues, scholars, students, art dealers, galleries and museums, libraries, colleges and universities, organizations, and periodicals.

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Creators:
Brooks, Romaine
Dates:
1910-1973
Size:
3 Linear feet
Collection ID:
AAA.brooroma
Repository:
Archives of American Art

The papers of painter Romaine Brooks measure 3 linear feet and date from 1910 to 1973. Found are biographical sketches, correspondence, seven journals, writings and notes, printed materials, a scrapbook, and photographs. Most of the materials focus on Brooks' later life while living in Paris and Nice, France and Fiesole, Italy and make little reference to her paintings and portraits.

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Creators:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981
Dates:
1875-1985
Size:
19.1 Linear feet
Collection ID:
AAA.franalfr
Repository:
Archives of American Art

The papers of art critic and historian Alfred Victor Frankenstein measure 19.1 linear feet and date from 1875 to 1985. The bulk of the collection consists of Frankenstein's research and writing files on American painting, particularly artists working in the nineteenth-century. There are extensive files on artists John Haberle, William Michael Harnett, and William Sidney Mount. The collection also includes biographical material, correspondence, general writings and notes, professional activities files, personal business records, printed materials, photographs, and unidentified sound recordings.

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Creators:
Christopher, William R, 1924-1973
Dates:
circa 1920s-circa 1973
Size:
8.2 Linear feet
Collection ID:
AAA.chriwill
Repository:
Archives of American Art

The William Christopher papers measure 8.2 linear feet and date from circa 1920s to circa 1973. Materials include biographical materials, correspondence, writings and notes, five diaries, subject/project files, printed materials, photographs, numerous sketches and eleven sketchbooks, and five short film reels containing amateur footage of New York City. The subject/project files include correspondence, printed materials, and two additional diaries about Dr. Martin Luther King, Jr. and the 1965 civil rights march from Selma to Montgomery, Alabama.

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Creators:
Hampson, Albert W., 1911-1990 (artist)
Dates:
1926-1968
Size:
6 Cubic feet
Collection ID:
NMAH.AC.0561
Repository:
Archives Center, National Museum of American History

Collection consists of the commercial artwork created by artist Albert W. Hampson dating predominately from during the 1950s and 1960s.

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Creators:
Fine Arts Federation of New York
Dates:
1895-2005
Size:
15.2 Linear feet
Collection ID:
AAA.fineafny
Repository:
Archives of American Art

The records of the Fine Arts Federation of New York, a consortium of New York City arts and architecture organizations, measure 15.2 linear feet and date from 1895-2005, bulk 1935-2002. The Federation's activities on behalf of the interests of the constituent organizations and the greater community are documented through officers' files, correspondence, administrative records, scattered printed materials, and scrapbooks.

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Creators:
Adams, Marta
Dates:
circa 1914-circa 1991
Size:
4.2 Linear Feet
Collection ID:
AAA.adammart
Repository:
Archives of American Art

The papers of sculptor, painter, and writer Marta Adams measure 4.2 linear feet, and date from circa 1914 to circa 1991. Found within are biographical materials, correspondence, writings and notes, legal and estate papers, printed materials, photographic material, one mixed-media scrapbook, and artwork, including three portfolios of lithographs, 30 Grabados de Galo Galecio,1946, containing 30 engraving prints by Galecio and Estampas de la Revolucion Mexicana, 1947, containing 85 engraving prints by 16 artists of the Taller de Gracia Popular, and Drawings: Seymour Swetzoff, 1949.

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