734 records — Page 52 of 74
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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
circa 1963-1988
Size:
7.5 cu. ft. (7 record storage boxes) (1 document box)
Collection ID:
Record Unit 586
Repository:
Smithsonian Institution Archives

These records primarily document the activities of OTC under Director Nazaret Cherkezian. A small amount of records were created by Paul B. Johnson. There are also a few records created by OTC's predecessor offices. The records include correspondence, memoranda, proposals, contracts, budgets, reports, newspaper clippings, press releases, ...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-10, 1994
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1994
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Greene, Balcomb, 1904-1990
Dates:
circa 1880s-2009
Size:
9.8 Linear feet
Collection ID:
AAA.greebalc2
Repository:
Archives of American Art

The Balcomb and Gertrude Greene papers, circa 1880s-2009, bulk circa 1905-1990, measure 9.8 linear feet. Balcomb Greene's career as a painter, educator, and writer - and to a lesser extent his personal life - is documented by biographical material, letters, subject files,writings, artwork, audio-visual recordings, printed material, and photographs. Documentation about sculptor Gertrude Greene, from 1926 until her death in 1956, consists of printed material, photographs, two letters to her, and a brief handwritten list of paintings and constructions.

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Creators:
National Museum of American Art. Department of Twentieth Century Painting and Sculpture
Dates:
circa 1961-1980
Size:
29 cu. ft. (29 record storage boxes)
Collection ID:
Record Unit 458
Repository:
Smithsonian Institution Archives

These records document the work of the Department and its curators in the late 1960s and in the 1970s, with some material dated as early as 1961. The files include correspondence concerning proposed and rejected works of art, some administrative actions, and the Department's relationship with other museums. The majority of the records con...

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Creators:
Kramer, Carol, 1943-2002
Dates:
1943-2002,
bulk 1961-2002
Size:
31 Linear feet (64 boxes, 2 cassette tapes, 1 oversize box, 1 map drawer)
Collection ID:
NAA.2006-14
Repository:
National Anthropological Archives

The bulk of these papers document the professional life of Carol Kramer, a leading figure in ethnoarchaeology, specializing in the Middle East and South Asia. She was also a major advocate for the professional development of women in anthropology and archaeology. Dating 1943-2002, the collection includes field notes, writings, correspondence, daily planners, teaching files, photographs, sound recordings, maps, computer disks, and botanical specimens. Her ethnoarchaeological research in "Shahabad" (a.k.a. "Aliabad") in Iran and in Rajasthan, India is well-represented in the collection.

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Creators:
Watson, Forbes, 1880-1960
Dates:
1840-1967
bulk 1900-1960
Size:
13.92 Linear feet
Collection ID:
AAA.watsforb
Repository:
Archives of American Art

The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.

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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 Linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

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Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 Linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.A2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

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734 records — Page 52 of 74