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Creators:
Dorothy Goldeen Gallery (Santa Monica, Calif.)
Dates:
1960-circa 2014
bulk 1987-1996
Size:
16.2 Linear feet
2.52 Gigabytes
Collection ID:
AAA.dorogolg
Repository:
Archives of American Art

The records of Dorothy Goldeen Gallery, based in Southern California, measure 16.2 linear feet and 2.52 GB and date from 1960 to circa 2014, with the bulk of the items dating from 1987 to 1996. The Dorothy Goldeen Gallery, operated from 1986-1996 and featured the work of prominent contemporary artists, such as Magdalena Abakanowicz, John Altoon, Fletcher Benton, Howard Ben Tre, Ciel Bergman, Squeak Carnwatch, Dale Chihuly, Duck-Hyun Cho, Roy De Forest, Heidi Fasnacht, Robert Hudson, Terence La Noue, Donald Lipski, Nam June Paik, Ed Paschke, Alan Rath, Zizi Raymond, Pablo Reinoso, among many others. The collection includes correspondence, scattered administration records, exhibition files, extensive artists' files that also include many video recordings, financial and legal records, printed and digital materials, and photographic materials.

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1989-2011
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 13-238
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Curators represented include George Gurney and guest curator, Claire Perry. Also includes materials from when the museum was known ...

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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Creators:
Cancel, Luis R.
Dates:
circa 1900-1998
bulk 1970-1996
Size:
10.1 Linear feet
Collection ID:
AAA.cancluis
Repository:
Archives of American Art

The papers of Puerto Rican arts administrator and artist Luis Cancel measure 10.1 linear feet and date from circa 1900 to 1998 with the bulk of the material dating from 1970 to 1996. The collection is comprised of biographical material, professional files, arts administration records documenting his directorship at the Bronx Museum of the Arts and as Commissioner for the Department of Cultural Affairs in New York, subject and artist's files, files for the exhibition Legacy / Legado, printed materials, photographs, and unidentified sound recordings.

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
circa 1965-1976
Size:
10.5 cu. ft. (10 record storage boxes) (1 document box)
Collection ID:
Record Unit 369
Repository:
Smithsonian Institution Archives

These records consist of alphabetic subject files of the directors, documenting their relations with Smithsonian administrators and museums, and their direction of publications relating to public affairs activities. Major events of the period included the openings of the Hirshhorn Museum and Sculpture Garden, the National Collection of Fi...

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Creators:
Brooks, James, 1906-1992
Dates:
1909-2010
bulk 1930-2010
Size:
20.1 Linear feet
Collection ID:
AAA.broojame
Repository:
Archives of American Art

The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.

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Creators:
Dale, Chester, b. 1883
Dates:
circa 1883-2003
bulk 1920-1970
Size:
8.4 Linear feet
Collection ID:
AAA.daleches
Repository:
Archives of American Art

The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

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Creators:
Harden, Marvin, 1935-
Dates:
circa 1936-2005
Size:
2.2 Linear feet
Collection ID:
AAA.hardmarv
Repository:
Archives of American Art

The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1971-1982
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 97-004
Repository:
Smithsonian Institution Archives

This accession consists of the exhibition records of the National Museum of American Art, Curatorial Office. The records document exhibitions for David Gilmour Blythe, 1980-1981; Lilly Martin Spencer, 1971-1973; and the art of Seth Eastman, 1978.

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Creators:
Fiberworks, Center for the Textile Arts
Dates:
1973-2005
bulk 1974-1987
Size:
3.2 Linear feet
Collection ID:
AAA.fibecenf
Repository:
Archives of American Art

The Fiberworks, Center for the Textile Arts records measure 3.2 linear feet and date from 1973-2005, with the bulk of the records dating from 1974-1987. The collection documents the textile arts school, gallery, and studio through administrative records, photographs, printed matter, and audiovisual material. Records include meeting minutes; photographs of artwork, events, and the Fiberworks community; brochures, announcements, newsletters, and clippings; and sound and video recordings from symposiums, lectures, and interviews.

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