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Creators:
Finkel, Bruria, 1932-
Dates:
1953-2020
Size:
12.1 Linear feet
83.59 Gigabytes
Collection ID:
AAA.finkbrur
Repository:
Archives of American Art

The papers of California artist, curator, and educator Bruria Finkel measure 12.1 linear feet and 83.59 GB, and date from 1953 to 2020. This collection includes biographical materials, correspondence, writings, project files, professional records, exhibition files, artists' files, personal business records, printed and digital materials, photographic materials, and sound and video recordings.

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Creators:
Outterbridge, John, 1933-2020
Dates:
1953-1997
Size:
4.8 Linear feet
Collection ID:
AAA.outtjohn
Repository:
Archives of American Art

The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

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Creators:
Eells, Myron, 1843-1907
Dates:
April, 1879
Size:
440 Pages
Collection ID:
NAA.MS1766
Repository:
National Anthropological Archives

Contents: Part I-Man. A. Names, locations, and divisions of the tribes. Twanas, Chemakums, Clallams. B. History. C. Population, and causes affecting. D. Progress: In medical practice. In house building. In dress. In implements. In social customs. In education. In morals. In religion. Part II- Surroundings. A. Inorganic. Outline, etc., of Territory....

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Creators:
W. Atlee Burpee Company
Burpee, W. Atlee (Washington Atlee), 1858-1915
Burpee, David, 1893-1980
Wm. Henry Maule (Firm)
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Dates:
circa 1873-1980
Size:
200 Cubic feet
Collection ID:
AAG.BUR2
Repository:
Archives of American Gardens

The W. Atlee Burpee & Company records, dated circa 1873-1986, document the firm's business activities developing plant varieties, working with contract seedsmen, and marketing and selling seeds. They include seed trial records, seed contracts, sales and acccounting records, inventories, office correspondence, seed catalogs, promotional and instructional materials, advertisements and advertising reports, contest letters, daybooks, photographs, reference materials, and other items relating to the company and some of its competitors. The collection also includes Burpee family papers.

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Creators:
Dawson, Elmer Yale, 1918-1966
Dates:
1934-1966
Size:
10 cu. ft. (20 document boxes)
Collection ID:
Record Unit 7097
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.

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Creators:
Alland, Alexander, Sr. (Alexander Landschaft), 1902-1989
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies )
Dates:
circa 1920-1975
Size:
4.3 Cubic feet (15 boxes)
Collection ID:
NMAH.AC.0161
Repository:
Archives Center, National Museum of American History

This collection consists of 4.3 cubic feet of manuscript, print, and photographic materials created or collected by Carl de Wendler-Funaro (1898-1985) in pursuit of his interest in Gypsy life and culture. (Carlos de Wendler-Funaro used several forms of his name; he wrote mostly as Carl de Wendler-Funaro.) The -collection was brought to the attentio...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1930-1995, undated
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 primarily consists of color and hand-colored photographs but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Millet, Francis Davis, 1846-1912
Dates:
1858-1984
bulk 1858-1955
Size:
3.3 Linear feet
Collection ID:
AAA.millfran
Repository:
Archives of American Art

The Francis Davis Millet and Millet family papers measure 3.3 linear feet and are dated 1858-1984, with a few scattered early eighteenth-century items, such as legal documents and printed matter. The bulk of the materials dates from 1858 to 1955. Found are biographical materials, diaries/journals, family letters, notes and writings, art work, printed matter, miscellaneous records, and photographs documenting Millet's wide-ranging artistic and writing career and personal life, including his death aboard the Titanic. Also of interest are approximately twenty ink caricatures attributed to John Singer Sargent.

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