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Creators:
National Museum of American History. Division of Musical History
Dates:
circa 1954-1994
Size:
64.08 cu. ft. (49 record storage boxes) (26 tall document boxes)
Collection ID:
Record Unit 485
Repository:
Smithsonian Institution Archives

This record unit consists of curatorial and staff correspondence and memoranda pertaining to the Tower Concert series, exhibitions at the Hall of Musical Instruments, staff research and publications, organ building, acquisition of musical instruments, and funding for seminars and musical performance recordings. Also included are inquiries ...

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Creators:
Cooper-Hewitt, National Design Museum. Publications Department
Dates:
1977-1994
Size:
1.43 cu. ft. (1 record storage box) (1 12x17 box)
Collection ID:
Accession 96-071
Repository:
Smithsonian Institution Archives

This accession consists of exhibition catalogues, collection handbooks, and other publications of the Cooper-Hewitt, National Design Museum (CHNDM), which were held as record copies by the Museum's Publications Department. Most of these publications are catalogues of special exhibitions held at the Museum, or handbooks highlighting particular ...

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Creators:
Craven, Thomas, b. 1889
Dates:
1919-1949, 1975
Size:
0.7 Linear feet
Collection ID:
AAA.cravthom
Repository:
Archives of American Art

The papers of art critic Thomas Craven measure approximately .7 linear feet and date from 1919 through 1949 and 1975. The collection consists primarily of a dismantled scrapbook (1925 1949; 1975) containing newspaper clippings of Craven's articles and writings which span his career. Also found within the scrapbook are reviews by Oscar Bluemner and Byron Browne of Craven's two anti-modernist books, Men of Art and Modern Art. The collection also contains four letters concerning publications, a typescript essay about Thomas Craven's early career, two files of scattered writings in manuscript form, two bound handwritten manuscript versions of A Treasury of Art Masterpieces (1939), and Greek Art (1950), and miscellaneous loose newsclippings.

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Creators:
National Portrait Gallery. Office of the Registrar
Dates:
1994-1999
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 00-128
Repository:
Smithsonian Institution Archives

This accession consists of exhibition loan records. Materials include loan agreements, correspondence, memoranda, condition reports (with photographs of objects), receipts, and notes.

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Creators:
Bohrod, Aaron
Dates:
1507-1994
bulk circa 1930-1994
Size:
17.8 Linear feet
Collection ID:
AAA.bohraaro
Repository:
Archives of American Art

The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.

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Creators:
Goode, G. Brown (George Brown), 1851-1896
Dates:
circa 1814-1897 and undated, with related materials to 1925
Size:
15.43 cu. ft. (30 document boxes) (1 12x17 box)
Collection ID:
Record Unit 7050
Repository:
Smithsonian Institution Archives

The bulk of the George Brown Goode Collection (Record Unit 7050) predates the establishment of the present-day Smithsonian Institution Archives. A small addition of autograph letters was received from the Division of Political History, National Museum of American History in 1983 under accession number 83-081.

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Creators:
Kuh, Katharine
Dates:
1875-1994
bulk 1930-1994
Size:
12 Linear feet
Collection ID:
AAA.kuhkath
Repository:
Archives of American Art

The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-10, 1994
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1994
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smith, Joseph Lindon, 1863-1950
Dates:
1647-1965
bulk 1873-1965
Size:
8.8 Linear feet
Collection ID:
AAA.smitjose
Repository:
Archives of American Art

The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

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Creators:
Meggers, Betty Jane
Evans, Clifford, 1920-1981
Dates:
1893-2012
Size:
129 Linear feet
Collection ID:
NAA.2013-01
Repository:
National Anthropological Archives

The Betty J. Meggers and Clifford Evans Papers document their research and professional activities from 1946-2012 and primarily deal with their archaeological and anthropological research in South America. Their work at the Smithsonian National Museum of Natural History and their frequent collaboration with other researchers and professional organizations is also represented. In addition, this collection contains detailed records on South American research conducted by the Smithsonian Institution from the 1950s through the 2010s. The collection consists of research and project files, raw data and analysis, graphs and illustrations, photographs, correspondence, maps and charts, and administrative files.

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