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Creators:
Museum of the American Indian, Heye Foundation
Pepper, George H. (George Hubbard), 1873-1924
Saville, Marshall H. (Marshall Howard), 1867-1935
Saville, Foster H. (Foster Harmon), 1874-1942
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Dates:
1907-108
Size:
398 Negatives (photographic)
Collection ID:
NMAI.AC.001.041
Repository:
National Museum of the American Indian

Photographic negatives made by George Pepper, Marshall Saville and Foster Saville during the second and third Ecuador expeditions in 1907 and 1908. The expeditions were sponsored by George Gustav Heye and included archaeological work in the Manabi and Esmereldas provinces in Ecuador.

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Creators:
Van Schaick, C.J.
Skinner, Alanson, 1886-1925
Smith, Huron H. (Huron Herbert), 1883-1933
Dates:
circa 1870 to before 1926
Size:
454 Negatives (photographic)
99 Photographic prints (black and white)
5 Lantern slides
Collection ID:
NMAI.AC.001.036
Repository:
National Museum of the American Indian

Tribes covered in the photographs are: Arapaho, Blackfoot, Cheyenne, Chippewa, Iowa, Iroquois, Mahican, Menomini, Ojibwa, Oto, Plains Cree, Potawatomi, Seminole, Seri, Shinnecock, Sioux, Winnebago, Zuni Pueblo. The majority of photographs (552) have Skinner listed as the photographer and presumably are photographs he took on his expeditions. However, 104 photos are of the Seminole in Florida. According to Dennis P. Carey's biography of Skinner (Unpublished? 1980) Julian Q. Dimock, a well-known photographer, accompanied him on his expedition to the Seminole in Florida; how many of the photos were taken by Dimock is unknown, but he is listed as the photographer for 23 of them. Skinner's other photographs are of the Seneca Iroquois in New York; the Zuni Pueblo and Hawikku site; several tribes in Wisconsin; the Chippewa in Minnesota; and miscellaneous shots taken in Canada, Costa Rica, Florida and New York. Two photographs of the Mahican were taken by Huron H. Smith (1923) and two of the Winnebago were taken by C.J. Van Schaick (c. 1870). The remaining photographs have no photographer listed but were in Skinner's collection of photographs and are of varying tribes with dates ranging from 1909 to 1923.

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Creators:
Emmons, George Thornton
Museum of the American Indian, Heye Foundation
Dates:
1870-1917
bulk 1870-1890
Size:
20 Photographic prints
12 Copy negatives
Collection ID:
NMAI.AC.001.053
Repository:
National Museum of the American Indian

Photographic prints and copy negatives made by George Thornton Emmons among Native communities in Alaska and British Columbia mostly between 1870 and 1890. Communities photographed include—Nisga'a (Niska), Kwakwaka'wakw (Kwakiutl), Yup'ik, Nuxalk (Ballacoola), Haida, and Tlingit.

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Creators:
Hanbury, Una, 1904-1990
Dates:
1910-1994
Size:
5.3 Linear feet
Collection ID:
AAA.hanbuna
Repository:
Archives of American Art

The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.

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Creators:
Holmes, William Henry, 1846-1933
Dates:
1879-1955
Size:
0.2 Linear feet
Collection ID:
AAA.holmwill
Repository:
Archives of American Art

The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.

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Creators:
Pepper, George H. (George Hubbard), 1873-1924
Dates:
1895-1918
Size:
1292 Negatives (photographic)
23 Photographic prints (black & white)
Collection ID:
NMAI.AC.001.034
Repository:
National Museum of the American Indian

George Hubbard Pepper specialized in the study of cultures of the American Southwest and Ecuador. Tribes which he studied are Acoma, Aztec, Blackfeet, Cochiti, Hopi, Isleta, Jemez, Laguna, Nambe, Navajo, Picuris, Pojuaque, Puye, San Carlos Apache, San Felipe, San Ildefonso, San Juan, Sandia, Santa Ana, Santa Clara, Taos, Tarascan, Tesuque, Ute, Zia, and Zuni. Photographs in the collection are of an excavation in Tottenville, New York, 1895; Pueblo Bonito in Chaco Cañon, New Mexico: Hyde Expedition, 1896-1900; and expeditions to the occupied Pueblos of the Southwest, 1904; Mexico, 1904, 1906; Guatemala; and Ecuador, 1907. There are also photos which complement a study Pepper did of the technique of Navajo weaving, and miscellaneous scenic and personal photos.

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Creators:
Gilmore, Melvin R. (Melvin Randolph), 1868-1940
Museum of the American Indian, Heye Foundation
Dates:
1923-1924
Size:
69 Negatives (photographic) (black and white, 5 x 7 inches.)
Collection ID:
NMAI.AC.001.027
Repository:
National Museum of the American Indian

This collection contains 69 black-and-white acetate negatives taken by Melvin R. Gilmore in 1923-1924. The images depict scenes of everyday life among the Sahnish (Arikara) Indians of the Fort Berthold Reservation in North Dakota.

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Creators:
Evelyn, Douglas E.
Dates:
circa 1800-1860s, 1984-1989
Size:
23.3 Cubic feet (50 boxes)
Collection ID:
NMAH.AC.0344
Repository:
Archives Center, National Museum of American History

This collection is composed entirely of xerographic and photographic reproductions made for the Robert Mills Papers Project. The copies include correspondence, plans, federal legislation regarding proposed government construction projects, construction records, and material regarding people with a relation to Mills or one of his projects. The mat...

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Creators:
Bell, Michael S., 1946-
Dates:
1942-1988
Size:
4.4 Linear feet
Collection ID:
AAA.bellmich
Repository:
Archives of American Art

The papers of Michael Bell measure 4.4 linear feet and date from 1942 to 1988. The papers document his career as an art curator and administrator, artist, and research on Surrealism through correspondence with artists; lecture notes, manuscripts, and other writings; documents from his time on the Registrar Committee for the American Association of Museums, Surrealist artist files, and administrative files; materials relating to exhibitions he participated in such as the "100 Vows of the Sun" exhibition; exhibition catalogs, pulbished manuscripts, and other printed material; and photographs of works by Surrealist artists.

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Creators:
Hatch, John Davis
Brown, Robert F.
Dates:
1979 Aug. 30-1980 Nov. 7
Size:
6 Sound tape reels (Sound recording, 5 in.)
307 Pages (Transcript)
Collection ID:
AAA.hatch79
Repository:
Archives of American Art

An interview of John Davis Hatch conducted 1979 Aug. 30- 1980 Nov. 7, by Robert F. Brown for the Archives of American Art.

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