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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2015
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2015
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
1952-1981
Size:
11.8 linear meters.
Collection ID:
Record Unit 290
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Lewis & Valentine Company
Lewis, Hewlett Withington
Dates:
1916-1971
Size:
2.5 Cubic feet (documents, 366 photographs, 1 videotape.)
Collection ID:
AAG.LVC
Repository:
Archives of American Gardens

The Lewis & Valentine Company Collection contains records of the Lewis & Valentine Company dating from 1916 to 1971 including photographs, negatives, brochures, books, trade catalogs, company papers, letters from clients, customer lists and a history of the company written by Harold Carman Lewis. Photographs document the Rodin Museum in Philadelphia, estates in Long Island, New York, and the properties of Hugh D. Auchincloss, Eugene du Pont, Walter P. Chrysler, Otto H. Kahn, F. W. Woolworth, Pierre S. du Pont (Longwood Gardens), Charles M. Schwab and Edward T. Stotesbury. This collection contains only a sampling of the records of Lewis & Valentine and should not be considered comprehensive.

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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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Creators:
DC Cowboys Dance Company
Dates:
undated
1994-2012
Size:
7.5 Cubic feet (22 boxes, 3 oversize folders)
Collection ID:
NMAH.AC.1312
Repository:
Archives Center, National Museum of American History

The records of the DC Cowboys Dance Company, an all-male, gay, non-profit dance company based in Washington, DC. that was active from 1994-2012. They peformed nationally and internationally live and on television, "celebrating diversity through dance."

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1851-1965
Size:
9.09 Cubic feet (consisting of 17.5 boxes, 1 folder, 19 oversize folders, 12 map case folders, 3 flat boxes (1 full, 2 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.World
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: World Expositions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Levine, Ken, 1950- (scriptwriter)
Alda, Alan (actor, scriptwriter)
Bull, Sheldon (scriptwriter)
Bloodworth, Linda (scriptwriter)
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Dates:
undated
1950 - 1982
Size:
8.4 Cubic feet (25 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0117
Repository:
Archives Center, National Museum of American History

The television show M*A*S*H was initially broadcast from September 17, 1972 to February 28, 1983. It told the story of doctors and nurses assigned to a fictitious medical unit, the 4077th Mobile Army Surgical Hospital, based in Uijeongbu, Korea during the 1950-1953 war.

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Creators:
Philadelphia and Reading Coal and Iron Company
Dates:
1866-1927
Size:
17 Cubic feet (51 boxes)
Collection ID:
NMAH.AC.0282
Repository:
Archives Center, National Museum of American History

This collection consists of approximately seventeen cubic feet of records of the Philadelphia & Reading Coal & Iron Company, dating from the period 1866-1927. The bulk of the collection comprises 124 letterpress copybooks from the company's Engineering Department. These contain letters and reports sent by engineers located at the major centers of ...

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Creators:
Sato, Sanji (student)
Satow, R. (student)
Satow, Susama Paul (student)
Lamboley, E. Gerald
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Dates:
1942-1943
Size:
0.12 Cubic feet (1 folder, 6 letters)
Collection ID:
NMAH.AC.0450
Repository:
Archives Center, National Museum of American History

Letters from students of Japanese-American ancestry to Miss Cox, their former teacher at the Edward Kelley School in Sacramento, California. This teacher has been identified as Mary Aline Cox by Ms. Colleen Zoller, January 13, 2009.

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Creators:
Outterbridge, John, 1933-
Dates:
1953-1997
Size:
4.8 Linear feet
Collection ID:
AAA.outtjohn
Repository:
Archives of American Art

The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

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