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Creators:
Smithsonian Institution. Center for Folklife Programs and Cultural Studies
Dates:
1987-1997
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 17-231
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the Smithsonian Institution's 150th Anniversary Program, including the 150th Anniversary Party on the National Mall. These materials were created by Dr. Richard Kurin, Acting Director, 1987-1990, and Director, 1990-2009, of the Center for Folklife Programs and Cultural Studies, previously kno...

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Creators:
National Museum of American History. Archives Center
Dates:
circa 1985-1993
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 98-129
Repository:
Smithsonian Institution Archives

This accession consists of the records of Fitzroy Thomas. Materials include Duke Ellington Collection budget information; Thomas' correspondence and memoranda; meeting minutes; information documenting the Duke Ellington Collection program; Oral History Project information; articles on Ellington and those associated with him; and photographs.

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Creators:
Arianespace
Dates:
bulk 1985-1998
Size:
0.45 Cubic Feet ((1 box))
Collection ID:
NASM.2006.0054
Repository:
National Air and Space Museum Archives

This collection includes information on Ariane 5, Intelsat 702, PanAmSat, Ariane V16 - Spot 1 - Viking, Ariane V13 and V14 Launches, and Arianespace Flight 107. Also included here are six 5 x 7 color photographs. Pictured in the photographs are Jean-Marie Luton (chairman and CEO of Arianespace), Ariane flight 101, Arianespace flight 108 (NILESAT 10...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2009
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2009
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2002
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2002
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2007
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2007
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
McCray, Porter A., 1908-2000
Dates:
1936-1989
Size:
12.3 Linear feet
Collection ID:
AAA.mccrport
Repository:
Archives of American Art

The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.

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Creators:
Faison, S. Lane (Samson Lane), 1907-2006
Dates:
1922-1981
bulk 1950-1976
Size:
5.1 Linear feet
Collection ID:
AAA.faislane
Repository:
Archives of American Art

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

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Creators:
Buechner, Helmut K. (Helmut Karl)
Dates:
1939-1975
Size:
32.72 cu. ft. (31 record storage boxes) (4 12x17 boxes) (1 oversize folder)
Collection ID:
Record Unit 7279
Repository:
Smithsonian Institution Archives

For the most part, these papers document Buechner's primary research interest, the ecology of terrestrial vertebrates, with emphasis on relationships to vegetation and social behavior. Included are Buechner's research on the pronghorn antelope, which contains field notes, journals, photographs, and reports to the Texas Cooperative Wildlife ...

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Creators:
Clutz, William
Dates:
1930-2016
Size:
3.1 Linear feet
11 Gigabytes
Collection ID:
AAA.clutwill
Repository:
Archives of American Art

The papers of New York painter William Clutz measure 3.1 linear feet and date from 1930-2016. The collection consists of biographical material, correspondence, personal business records, printed material, photographic material, artworks, and twelve sketchbooks which illuminate the career and artistic development of Clutz, a painter known for depictions of figures in urban settings. The photographic material is particularly robust and includes hundreds of photographs, slides, transparencies, and digital images of Clutz, family, friends, his painting, as well as documentation of exhibition installations. Artwork and sketchbooks in pencil, pastel, and charcoal provide a glimpse into the preliminary stages of his work process.

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