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Creators:
Stocksdale, Bob, 1913-2003
Mayfield, Signe
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 February 16-March 21
Size:
52 Pages (Transcript)
Collection ID:
AAA.stocks01
Repository:
Archives of American Art

An interview of Bob Stocksdale conducted 2001 February 16-March 21, by Signe Mayfield, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.

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Creators:
Miller, Dorothy Canning, 1904-2003
Cummings, Paul
Dates:
1970 May 26-1971 Sept. 28
Size:
260 Pages (Transcript)
18 Items (sound files (20 hrs., 42 min.), digital, wav)
Collection ID:
AAA.miller70
Repository:
Archives of American Art

An interview of Dorothy Miller conducted 1970 May 26-1971 Sept. 28, by Paul Cummings, for the Archives of American Art.

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Creators:
Rosenberg, Harold, 1906-1978
Cummings, Paul
Dates:
1970 December 17-1973 January 28
Size:
244 Pages (Transcript)
Collection ID:
AAA.rosenb70
Repository:
Archives of American Art

An interview of Harold Rosenberg conducted 1970 December 17-1973 January 28, by Paul Cummings for the Archives of American Art over nine sessions.

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Creators:
Sifuentes, Roberto, 1967-
Dates:
circa 1988-2006
bulk 1993-2000
Size:
4.3 Linear feet
0.054 Gigabytes
Collection ID:
AAA.sifurobe
Repository:
Archives of American Art

The papers of performance artist and educator Roberto Sifuentes measure 4.3 linear feet and date from circa 1988 to 2006. The collection documents Sifuentes' work as a professional artist and educator through biographical material and interviews; correspondence including emails; project files including project descriptions, documentation of individual productions, audio and video recordings, and components of works for multimedia projects; conference files documenting symposia and conference participation; articles, versions of performance scripts, and other writings; printed material including press clippings, promotional press packets, and source material; as well as photographic material documenting performances and social events.

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Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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Creators:
Robert Schoelkopf Gallery
Dates:
1851-1991
bulk 1962-1991
Size:
29 Linear feet
Collection ID:
AAA.robeschg
Repository:
Archives of American Art

The collection comprises 29 linear feet of records that document the day-to-day administration of the Robert Schoelkopf Gallery from 1962 to 1991, with additional items predating the founding of the gallery from 1851 to 1961. The collection records artist and client relations, exhibitions, and daily business transactions through artist files, correspondence, printed matter, and photographic material.

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Creators:
Paredon Records
Silber, Irwin, 1925-2010
Dane, Barbara
Dates:
1969-2007
Size:
8.85 Cubic feet
1 Cubic foot (Phonograph records)
6.6 Cubic feet (Audiotapes)
1.25 Cubic feet (Business records)
Collection ID:
CFCH.PARE
Repository:
Ralph Rinzler Folklife Archives and Collections

The Paredon Records audiorecordings consist of all 50 of the recordings released by Paredon, along with the master audiotapes. Many of the recordings have a file containing business records relating to their production. These business records include artist contracts, recording reports, various notes on records produced, photographs of artists, news articles both about and by Barbara Dane, Irwin Silber, and Paredon Records, correspondence by Barbara Dane, Irwin Silber and Paredon Records, and other miscellany. Many contracts are signed by both Paredon Records and the artist. Correspondence is primarily between business associates. A complete inventory of the business records is available.

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Creators:
Namuth, Hans
Dates:
1945-1985
Size:
4.5 Linear feet
Collection ID:
AAA.namuhans
Repository:
Archives of American Art

The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.

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Creators:
Shaw, Edwin Coupland, 1863-1941
Dates:
1864-1937
Size:
3 Microfilm reels
Collection ID:
AAA.shawedwi
Repository:
Archives of American Art

Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used...

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Creators:
Woman's Building (Los Angeles, Calif.)
Dates:
1970-1992
Size:
33.5 Linear feet
Collection ID:
AAA.womabuil
Repository:
Archives of American Art

The records of the Woman's Building feminist arts organization in Los Angeles measure 33.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.

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