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Creators:
Jones, Ernie
Dates:
1980
1977
Size:
1 Cubic foot (1 box)
Collection ID:
NMAH.AC.1118
Repository:
Archives Center, National Museum of American History

Collection contains product literature, newsletters, and other hand-outs collected from exhibitors by Ernie Jones, a faire attendee. The First West Coast Computer Faire was held in San Francisco, California on April 15-17, 1977, and the Fifth West Coast Computer Faire was held on March 14-16, 1980.

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Creators:
Engineering and Industry, Division of, NMAH, SI.
Frick Company, George (Waynesboro, Pa.)
Dates:
1852-1961
bulk 1860-1920
Size:
26 Cubic feet (49 boxes, 4 oversize folders)
Collection ID:
NMAH.AC.0293
Repository:
Archives Center, National Museum of American History

This collection documents, in correspondence, publications, forms, paperwork, drawings, newspaper clippings, diplomas and photographs, the operations and products of the Frick Company of Waynesboro, Pennsylvania, manufacturers of steam-powered engines (portable, stationary, and traction), sawmills, threshing machines, grain separators and other mechanized agricultural harvesting implements, refrigeration, mechanical cooling systems, and ice making plants, from its founding in 1852 through 1961.

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Creators:
Head, Howard, 1914-1991 (inventor, business executive)
Dates:
1926-1991
bulk 1955-1991
Size:
11 Cubic feet (25 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0589
Repository:
Archives Center, National Museum of American History

The Head Papers, 1926-1991, consist of correspondence, calendars, notes, company records (Head Ski Company and Prince Manufacturing Inc.), drawings, sketches, advertisements, product information, photographs, and slides documenting the development and design of both the Head ski and Prince oversized tennis racket. The collection is arranged into ei...

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Creators:
Smithsonian Institution. Traveling Exhibition Service
Dates:
1978-2012
Size:
14.27 cu. ft. (13 record storage boxes) (1 tall document box) (1 16x20 box)
Collection ID:
Accession 17-358
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Smithsonian Institution Traveling Exhibition Service (SITES) in regard to the planning, execution, administration, and promotion of the major traveling exhibitions "In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr.," "Jim Henson's Fantastic World," ...

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Creators:
Mattachine Society of Washington
Dates:
1978-2013, undated
Size:
4.1 (13 boxes) Cubic feet
Collection ID:
NMAH.AC.1428
Repository:
Archives Center, National Museum of American History

Papers and publications collected by the Mattachine Society of Washington, DC relating to the gay to straight conversion therapy program known as Love in Action (LIA) and director of the Memphis, Tennessee LIA, John J. Smid and author Garrard Conley.

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Creators:
Knabenshue, A. Roy (Augustus Roy), 1876-1960
Dates:
circa 1890s-1960s
Size:
3.6 Cubic feet (8 legal document boxes)
Collection ID:
NASM.XXXX.0136
Repository:
National Air and Space Museum Archives

This collection contains approximately three and a half cubic feet of material relating to the life and career of A. Roy Knabenshue. The collection includes correspondence, photographic material, drawings of aircraft, and flight records.

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Creators:
Preloran, Jorge, 1933-2009
Dates:
1954-circa 2008
Size:
50 Film reels (50 completed films and 1 film series; 110,600 feet of original film outtakes (51 hours); 412 hours of audiotape; 31 digital books)
22 Linear feet (Papers and photographs)
Collection ID:
HSFA.2007-10
Repository:
Human Studies Film Archives

Documentary filmmaker Jorge Prelorán was best known for his intimate approach to ethnographic film, a style known as "ethnobiography." The majority of Prelorán's films were shot in rural areas of Argentina, particularly the Andean highlands and the Pampas (plains), often in communities of mixed Indian and Spanish heritage. Prelorán documented a wide range of subjects, including art, folk crafts, agriculture, ranching, markets, religious rituals and festivals, and social and cultural change. This collection contains edited films and videos, film outtakes, audio tapes, photographic prints and transparencies, digital books, correspondence, production files, scripts, project files, and press clippings spanning 1954-2008.

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Dates:
circa 1887-1947
Size:
200 Postcards (black and white, color ;)
Collection ID:
AAG.PTC
Repository:
Archives of American Gardens

The Historic Gardens Postcard Collection includes 200 postcards of historic views of various public gardens, parks, monuments, and buildings throughout the United States and some foreign countries, including Canada, France and Cuba. Some private gardens and estates and many Washington, D.C. attractions are also represented. Roughly half of the postcards were mailed; the remaining postcards were not written on or posted. Areas represented include Arizona, California, Colorado, Delaware, Florida, Illinois, Indiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Nebraska, New Jersey, New York, Ohio, Oregon, Pennsylvania, Texas and Virginia. Foreign views show gardens in Havana, Paris, and Canada. About a dozen cards feature various views of Smithsonian Institution museums along the National Mall in Washington, D.C.

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Creators:
American Ornithologists' Union
Dates:
1883-1977
Size:
46.93 cu. ft. (93 document boxes) (1 12x17 box) (2 oversize folders)
Collection ID:
Record Unit 7150
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Modern Multiples
Duardo, Richard, 1952-2014
Dates:
1970s-2017
Size:
25.2 Linear feet
Collection ID:
AAA.modemult
Repository:
Archives of American Art

The records of Modern Multiples printmaking workshop measure 25.2 linear feet and date from the 1970s to 2017. The collection contains administrative files related to the daily operations of the print workshop, gallery, and other associated businesses owned and operated by Richard Duardo. Also included are correspondence with artists and arts institutions, as well as some personal correspondence; project and artist files; printed material; photographic material, including photograph albums; artwork; and a small amount of material related to Richard Duardo, including biographical statements, a recorded interview, and journals.

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