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Creators:
Hall, D. J. (Debra Jane), 1951-
Karlstrom, Paul J.
Dates:
2000 June 29
Size:
2 Sound cassettes (Sound recording (105 min.), analog)
42 Pages (Transcript)
Collection ID:
AAA.hall00
Repository:
Archives of American Art

An interview of D. J. Hall conducted 2000 June 29, by Paul Karlstrom, for the Archives of American Art, in Hall's home/studio, Venice, Calif.

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Creators:
Pashgian, Helen, 1934-
Drohojowska-Philp, Hunter
Dates:
2012 July 11
Size:
83 Pages (Transcript)
Collection ID:
AAA.pashgi12
Repository:
Archives of American Art

An interview of Helen Pashgian conducted 2012 July 11, by Hunter Drohojowska-Philp, for the Archives of American Art, at Pashgian's studio, in Pasadena, California.

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Creators:
Faure, Patricia, 1928-2008
Ehrlich, Susan, 1942-
Dates:
2004 Nov. 17-24
Size:
1 Item (Sound recording, master: 6 sound discs (5 hrs. and 20 min.) : digital ; 2 5/8 in)
104 Pages (Transcript)
Collection ID:
AAA.faure04
Repository:
Archives of American Art

An interview of Patricia Faure conducted 2004 Nov. 17-24, by Susan Ehrlich, for the Archives of American Art, in Beverly Hills, Calif.

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Creators:
Strong, Charles, 1938-
Karlstrom, Paul J.
Dates:
1998 March 14-30
Size:
58 Pages (Transcript)
Collection ID:
AAA.strong98
Repository:
Archives of American Art

An interview of Charles Strong conducted 1998 March 14 and 30, by Paul Karlstrom, for the Archives of American Art, in Karlstrom's home, San Francisco, California.

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Creators:
Rohrmann, G. F. (George F.)
Dates:
1970-1975
Size:
129 color slides (35mm)
626 negatives (photographic) (black and white, 35mm)
Collection ID:
EEPA.2018-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection depicts the everyday life and architecture of Basotho, Hausa, Makonde, Matabele, Pedi, Swazi, and Xhosa peoples in Nigeria, Southern Africa, and Tanzania.

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Dates:
1936
Size:
0.05 Cubic feet ((1 folder), 6 gelatin silver print photographs)
Collection ID:
NASM.1997.0038
Repository:
National Air and Space Museum Archives

This collection consists of six photographs of Charles A. Lindbergh with Frederick (F.G.) and Blossom Miles inspecting Lindbergh's new Miles M.12 Mohawk airplane on the ground at Woodley Aerodrome, near Reading (Berkshire), England, and making a test flight, circa August 1936.

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Creators:
Schipper, Merle, 1922-2001
Dates:
1978-1987
Size:
21 Sound cassettes (Sound recording)
Collection ID:
AAA.schimerl2
Repository:
Archives of American Art

A lecture and interviews of twenty-two Southern California painters and sculptors, conducted and recorded by Los Angeles art critic Merle Schipper.

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Dates:
1865-1872
Size:
36,346 digital files
Collection ID:
NMAAHC.FB.M1906
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 42 rolls of microfilm described in the NARA publication M1906. These digital surrogates reproduced the records of the Maryland and Delaware field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

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Creators:
Custom Auto and Equipment Sales
Parlett, John K., 1937-2005
Dates:
1859-2011, undated
Size:
20 Cubic feet (60 boxes)
Collection ID:
NMAH.AC.1225
Repository:
Archives Center, National Museum of American History

The John K. Parlett Collection of Agricultural Ephemera, 1859-2011, undated, is a collection of operator's instruction manuals, parts illustrations manuals, dealership materials, farming, farm life, and agriculture-related ephemera. The material is from national companies as well as local manufacturers and businesses.

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Creators:
Evans, Matilda Arabella, Dr., 1872-1935
Dates:
1896-1995
Size:
1.6 Linear feet
Collection ID:
NMAAHC.A2019.109
Repository:
National Museum of African American History and Culture

The Dr. Matilda Arabella Evans Collection of documents how she broke boundaries as one of the first African American women physicians to have her own practice. The collection highlights her role as a physician and the great impact she had on the health and welfare of the African American community. The collection is comprised of educational material, business records, photographs, publications, and reference materials collected by and about Evans and her work.

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