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Creators:
Holstein, Otto, 1883-1934
American Geographical Society
Dates:
1925-1926
Size:
425 Photographic prints
68 Copy negatives
Collection ID:
NMAI.AC.114
Repository:
National Museum of the American Indian

Photographic prints and copy negatives made by Major Otto Holstein in and around the ruins of Chan Chan, Peru between 1925 and 1926. Some of these photographs were later used by Holstein to illustrate his article publication "Chan-Chan: Capital of the Great Chimu" in the American Geographical Society's publication Geographical Review.

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Creators:
National Museum of Natural History. Office of the Director
Dates:
1948-1970
Size:
48 cu. ft. (48 record storage boxes)
Collection ID:
Record Unit 155
Repository:
Smithsonian Institution Archives

These records are the administrative files of the Office of the Director, National Museum of Natural History. Most of the records date from the late-to-mid 1950s. Those records created prior to 1959 are the records of the Director of the United States National Museum, although they are records relating primarily to that segment of the U. ...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1777-1965
Size:
10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))
Collection ID:
NMAH.AC.0060.S01.01.Steamboats
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2000
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2000
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 1985
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1985
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Moore, John McDonald, 1919-1999
Dates:
1948-2015
bulk 1968-1999
Size:
21.5 Linear feet
Collection ID:
AAA.moorjohn
Repository:
Archives of American Art

The papers of art historian and educator John McDonald Moore measure 21.5 linear feet and date from 1948-2015, with the bulk dating from 1968-1999. Included are biographical material regarding Moore; his writings, including book proposals and lectures; correspondence regarding teaching and letters from students; voluminous notecards for lectures; and sound recordings of lectures.

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Creators:
Kasuba, Aleksandra, 1923-2019
Dates:
circa 1900-2019
bulk 1960-2010
Size:
12.4 Linear feet
42.7 Gigabytes
Collection ID:
AAA.kasualek
Repository:
Archives of American Art

The papers of sculptor and environmental artist Aleksandra Kasuba measure 12.4 linear feet and date from circa 1900-2019, with the bulk of the material from 1960-2010. The collection documents Kasuba's career through biographical material, correspondence, interviews, lectures and writings, extensive project files, printed material, a scrapbook, artwork, and photographs.

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Creators:
Foley, Dennis
Dates:
1962-2004
Size:
14 Cubic feet (47 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0896
Repository:
Archives Center, National Museum of American History

Papers relating to Foley's career as an authority, consultant, auctioneer, writer, and educator on the subject of food and wine: newsletters and publications, catalogs and programs for auctions, menus, photographs, wine tasting notes, labels, business records, and an interview of Foley conducted by John Fleckner.

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Creators:
Wetmore, Alexander, 1886-1978
Dates:
circa 1848-1983 and undated
Size:
116.34 cu. ft. (206 document boxes) (10 half document boxes) (1 12x17 box) (2 16x20 boxes) (29 3x5 boxes) (13 5x8 boxes) (oversize materials)
Collection ID:
Record Unit 7006
Repository:
Smithsonian Institution Archives

The papers of Alexander Wetmore were received in the Smithsonian Archives in several different accessions between 1978 and 1987. The Archives would like to thank Mrs. Beatrice T. Wetmore for her help in transferring her husband's papers to the Archives. We also appreciate the assistance of the staff of the Division of Birds, National Museum ...

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Creators:
Shahn, Ben, 1898-1969
Dates:
1879-1990
bulk 1933-1970
Size:
24.8 Linear feet
Collection ID:
AAA.shahben
Repository:
Archives of American Art

The papers of social realist painter, photographer, illustrator, printmaker, and teacher Ben Shahn (1898-1969) measure 24.8 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.

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