The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

The Rose Fried Gallery records measure 8.1 linear feet and date from 1936 to 1972 with the bulk of materials dating from 1945 to 1970. The majority of the collection consists of artists files documenting the gallery's relationship with abstract, modern, and Latin American artists; additional named subject files; and scattered administrative and financial files. Individual artists and subject files contain a wide variety of documentation, such as correspondence, photographs, financial records, and printed materials.

The papers of Max Arthur Cohn document his career as a painter and printmaker; significantly, pertaining to the WPA Federal Art Project, as well as other art organizations and galleries. Includes:

A videotaped interview of Werner Drewes conducted by Ann Thomas for the Greater Reston Art Center at Drewes' home in Reston, Va. Drewes speaks about his studies at the Weimar Staatliches Bauhaus; his teachers; social activities at the Bauhaus; his experiments with geometric forms; and his woodcut technique. He demonstrates his artistic process from...

A recording on two audio cassettes of "An Evening with the Los Angeles Modernists," November 7, 1990, held in conjunction with the exhibit "Turning the Tide: Early Los Angeles Moderns 1920-1950," organized by the Santa Barbara Museum of Art, Santa Barbara, California. Speakers include Susan Ehrlich, Paul Karlstrom, and artists Karl Benjamin, Jules ...

The papers of figure and still life painter Carolyn Gassan Plochmann measure 4.8 linear feet and date from 1926-2013. Included are works of art, correspondence, writings, gallery files, exhibition and art fair files, project and organization files, biographical information, photographs and slides, and printed material.

Illustrated Christmas cards from George and Margaret Stout; photograph album, "Tamarit 1917," of Castillo Tamarit, Tarragona, Spain, where Wales and his partner Constantine Tsaousis worked from 1971-1982 restoring a collection of Spanish medieval art assembled by the Charles Deering family of Chicago; an explanatory letter from J. Deering Danielson...

The papers of multimedia and computer artist, Fred Truck, measure 11.7 linear feet and date from 1965-2019. Included are biographical material, interviews, correspondence, writings, subject and project files, photographs, rare printed material, preliminary works of art, and audiovisual material. A portion of the papers are in electronic format. The...

Papers regarding Townsend's article on Clyfford Still, "An Interview with Clyfford Still," 1961, including 8 letters from Still (and Mrs. Still on his behalf) and 3 letters to Mrs. Still from Townsend; a clipping of the article from GALLERY NOTES of the Albright-Knox Art Gallery; an annotated manuscript and proofs of the article, and Townsend's not...