This accession consists of audio and visual recordings of Lemelson Center special events, exhibitions, symposia, and general activities used for broadcast. Major programs documented within this collection include "Nobel Voices: Celebrating 100 Years of the Nobel Prize;" "Lewis Latimer: Renaissance Man;" "Reinventing the Wheel: The Continuing ...

The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.

This record unit traces the operation of the Smithsonian from 1925 to 1949. It contains records from the last years of Secretary Charles D. Walcott's administration, perhaps most notably the ambitious but abortive fund raising campaign to add $10,000,000.00 to the Smithsonian's endowment. The Depression and consequent cut-backs in government ...

This accession consists of the records of curator emeritus Richard W. Thorington (1937-2017), who specialized in systematics, evolution, anatomy, and functional morphology in mammals, especially of primates and squirrels. The records primarily document Thorington's curatorial activities in the Division of Mammals at the National Museum of Natu...

This record unit consists of two of the special files maintained by the Department of Correspondence and Documents. In 1902 a new system for maintaining records was established. Descriptions of the records are included as part of the series descriptions.

The records of the Allan Frumkin Gallery, a Chicago and New York City gallery, measure 25.6 linear feet and date from 1944-2016 with one letter pertaining to artwork documentation dating from 1880. The collection documents the gallery's activities through administrative files, dealer and client correspondence, artist files, financial records, gallery newsletters, printed material, and photographic material. Artist files represent over one-third of the collection and provide insight into the close relationship between Frumkin and many of the gallery's major artists including Robert Arneson, Luis Cruz Azaceta, Jack Beal, Joan Brown, Colin Lanceley, Maryan, Roberto Matta, Philip Pearlstein, Peter Saul, H.C. Westermann, and William T. Wiley. Also included in the collection are the Frumkin Family papers, consisting of writings by Allan and wife Jean Martin Frumkin, editorial copy of Art Book Review, personal papers, and material relating to the Frumkin personal art collection and estate.

The Robert I. Levy papers document his field work, research and professional activities from 1949-2001 and primarily deal with his work studying social organization, culture, and their psychological effects in Tahiti and Nepal. The collection consists of correspondence, field notes, sound recordings of interviews with informants in Tahiti and Nepal, interview transcripts and analyses, language and culture research materials, maps, and color slides. Also included are files about his books, articles, essays, and lectures; course materials from his time as a professor at the University of California, San Diego (UCSD); and conference files.

Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.

The collection contains the project design records of Rudy J. Favretti. Favretti, a landscape architect and professor noted for his extensive work in historical restoration of landscaped gardens, parks, homes, and more. He donated his collection of garden design files, plans, and images to the Smithsonian's Archives of American Gardens in March 2011.

The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.