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Creators:
Schaefer, Bertha, 1895-1971
Dates:
1909-1975
bulk 1940-1965
Size:
4.6 Linear feet
Collection ID:
AAA.schabert
Repository:
Archives of American Art

The Bertha Schaefer papers and gallery records measure 4.6 linear feet and date from 1909-1975, with the bulk of the material dating from 1940-1965. The collection documents the Bertha Schaefer Gallery as well as Bertha Schaefer, the interior designer, through correspondence with artists and galleries, artist files, client files, exhibition material, printed material, financial material, biographical material, photographs, and six scrapbooks.

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Creators:
Hunt, Wolf Robe, 1905-1977
Dates:
1930-1979
Size:
7.93 Linear feet
Collection ID:
NAA.1979.0402
Repository:
National Anthropological Archives

The papers collected here relate to the life and work of Wayne Wolf Robe Hunt, a full-blood Acoma Indian (1905-1977). Born on the Acoma Reservation, Wolf Robe was the son of Chief Day Break (Edward Proctor Hunt), Chief of the Delight Makers -- a man instrumental in the improvement of relations between the Acomas and whites. His mother, Morning Star...

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Creators:
Bloch, Albert
Dates:
1873-2014
Size:
17.9 Linear Feet
Collection ID:
AAA.blocalbe
Repository:
Archives of American Art

The papers of painter and educator Albert Bloch measure 17.9 linear feet and date from 1873 to 2014. The collection documents his career as an artist and university professor in Lawrence, Kansas, as well as his time in Munich, Germany, as part of the Blue Rider group of German Expressionists. The collection includes biographical material, extensive personal and professional correspondence, writings, personal business records, exhibition files, printed material, photographs, and artwork. Throughout the collection are records maintained by his widow Anna Bloch on the exhibition, sale, and research of Bloch's work after his death.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
James McNeill Whistler, 1834-1903
Dates:
1863-1906, circa 1940
Size:
0.2 Linear feet
Collection ID:
AAA.whisjame2
Repository:
Archives of American Art

The collection measures 0.2 linear feet and provides scattered documentation of the career of American-born British-based painter and etcher James McNeill Whistler (1834-1903) through 39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler's painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.

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Creators:
Hirshhorn Museum and Sculpture Garden. Curatorial Department
Dates:
circa 1978-1994
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 99-072
Repository:
Smithsonian Institution Archives

These records, which are from the office of Valerie J. Fletcher, Curator of Sculpture at the Hirshhorn Museum and Sculpture Garden (HMSG), primarily document Fletcher's involvement in the planning, research, and installation of the exhibition Dreams and Nightmares: Utopian Visions in Modern Art at HMSG in 1983-1984. During the years Fletc...

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Creators:
National Museum of American History. Division of Military History
Dates:
circa 1968-1981
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Record Unit 396
Repository:
Smithsonian Institution Archives

These records consist of public inquiries from museums, universities, historical societies, and private collectors regarding gun models, saber types, military heraldry, uniform insignia, history of the United States Army, the preservation of artifacts, and paintings illustrating scenes from American military history. Also included are copies ...

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Creators:
Friendly, Alfred, Captain
Dates:
1958
Size:
59 color negatives
19 negatives (acetate, 35 mm)
293 color negatives (acetate, 35 mm)
12 prints (silver gelatin)
52 color prints
20 color slides
Collection ID:
NAA.PhotoLot.99-39
Repository:
National Anthropological Archives

Photographs by Captain Alfred Friendly depicting rock paintings, people, cities, Kariba Dam, and scenery in Africa. Friendly made the photographs in Nairobi National Park, Nyeri, Kenya; Uganda; Lake Albert; Lake Kivu; Lake McIlwaine (now Lake Chivero); Nswatugi Cave and Silozwane Cave in Matopos National Park, Zimbabwe; Cape Town and Johannesburg, ...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1987
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1987
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Meiere, M. Hildreth, d. 1961
Dates:
1901-2011
bulk 1911-1960
Size:
27.3 Linear feet
0.068 Gigabytes
Collection ID:
AAA.meiemari
Repository:
Archives of American Art

The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

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