[ ]
Collapse
[ ]
Expand
Creators:
Morrow, Stanley J.
Dates:
circa 1865-1887
Size:
434 copy prints
Collection ID:
NAA.PhotoLot.R4468
Repository:
National Anthropological Archives

Photographs made by Stanley J. Morrow depicting Plains Indians, agencies, and United States Army installations and expeditions. About half of the subjects relate to American Indians, including Arikara, Hidatsa, Mandan, Ponca, Crow, Cheyenne, Bannock, Hunkpapa, Oglala, and other Teton Sioux including "Loafer Band," Yanktonai, Santee, Sisseton and W...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1750-1970
Size:
6.02 Cubic feet (consisting of 10 boxes, 3 half boxes, 1 folder, 8 oversize folders, 1 map case folder, 1 flat box (partial). )
Collection ID:
NMAH.AC.0060.S01.01.Aviation
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Aviation forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Museum of the American Indian, Heye Foundation
Miller, Kenneth C., 1901-1974
Dates:
1926-1943
Size:
70 negatives (photographic)
47 Photographic prints
Collection ID:
NMAI.AC.001.049
Repository:
National Museum of the American Indian

Photographic negatives and prints shot by and collected Kenneth C. Miller between 1926 and 1943. Miller served as a field assistant to Donald Cadzow on a 1926 trip to Northwestern, Canada and was later hired as an MAI staff member between 1935 and 1943.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1800-1966
Size:
6.07 Cubic feet (consisting of 13 boxes, 1 folder, 4 oversize folders, 6 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Publishing
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Publishing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Bourne, Samuel, 1834-1912
Dates:
circa 1870
Size:
1 Print (albumen from wet collodion negative, 24 x 29 cm.)
1 Print (albumen from wet collodion negative, 23 x 29 cm.)
1 Print (albumen from wet collodion negative, 24 x 29 cm.)
Collection ID:
FSA.A2001.05
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

This collection consists of three photographic prints, mounted on board, by Samuel Bourne: I. Albumen print from wet collodion negative, 24 x 29 cm., circa 1870, signed on the plate with the catalog number 1340. Penciled in the lower right corner "Kutab Minar with the Great Arch and From the West - Delhi". Photo depicts the Qutb Minar at Quwwat al-...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Neff, Tom, 1953-
Dates:
1990-1993
Size:
11 Linear feet
Collection ID:
AAA.nefftom
Repository:
Archives of American Art

Audiovisual materials relating to the documentary Beatrice Wood: Mama of Dada measure 11 linear feet and date from 1990 to 1993. Records include sound recordings, motion picture film outtakes, transcripts, production notes, lab records of the film production, and video recordings of the completed documentary.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Pearse-Hocker, Anne
Dates:
1970-1973
Size:
54 contact sheets (black and white)
35 mm. (black and white, 8 x 10 in.)
Collection ID:
NMAI.AC.028
Repository:
National Museum of the American Indian

The majority of Pearse-Hocker's momentous negatives give eyewitness account to two weeks of both the mundane and brutal reality of daily life during the 1973 occupation of Wounded Knee on the Pine Ridge Indian Reservation in Pine Ridge, South Dakota. The takeover of the town and the conflict between about 200 members of AIM (American Indian Movement, the Native American civil rights activist organization begun in the 1968) and the United States Marshals Service began on February 27 and lasted for 71 days, resulting in tragedy on both sides of the conflict. Members of AIM along with some local Oglala (Lakota) Sioux from the local reservation took over the town in protest against the United States Government's history of broken treaties with various Native groups, the poverty and maltreatment of Native populations, as well as in defiance against the corruption and paternalism within the local subsidiary of the BIA (Bureau of Indian Affairs). The siege finally came to an end on May 5 when members of AIM and the assistant attorney general for the Civil Division of the US Justice Department Harlington Wood Jr. settled on a ceasefire. Kent Frizzell served as Chief Government Negotiator in the capacity of Assistant Attorney General (Land and Natural Resources Division, U. S. Department of Justice) and later as Solicitor, U. S. Department of the Interior. Among those pictured both during and post-conflict are AIM activists Dennis Banks, Clyde and Vernon Bellecourt, Ted and Russell Means, Frank Clearwater, Wallace Black Elk and Anna Mae Pictou Aquash. A small number of negatives also document AIM's takeover of the BIA building and the AIM Powwow both in Minneapolis in 1970.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Kauffmann, John M.
Dates:
1955
Size:
52 Photographs
Collection ID:
NMAI.AC.225
Repository:
National Museum of the American Indian

This collection contains 54 photographs that were shot by amateur photographer John M. Kauffmann in 1955. The photographs depict Dewey Beard (also known as Iron Hail and Wasu Maza) and the Black Hills in South Dakota.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Museum of the American Indian, Heye Foundation
Stiles, William F., 1912-1980
Keppler, Udo J., 1872-1956
Sinclair, David
More …
Dates:
1939 October
Size:
22 negatives (photographic)
Collection ID:
NMAI.AC.001.055
Repository:
National Museum of the American Indian

Photography taken by George Heye, Joseph Keppler, David Sinclair and William Stiles during a trip to the Cornplanter Reservation in Pennsylvania and Onondaga, Allegheny, Cattaraugus, Tuscarora, and Tonawanda Reservations in New York October 1939.

Found In