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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1969-1990
Size:
20 cu. ft. (20 record storage boxes)
Collection ID:
Accession 91-082
Repository:
Smithsonian Institution Archives

These records consist of project files for the renovation or improvement of facilities for various Smithsonian Institution buildings, particularly the construction of the Hirshhorn Museum building. Materials include blueprints and architectural drawings, specifications, correspondence with contractors, payroll sheets, progress and inspection ...

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Creators:
Eisenberg, John Frederick, 1935-
Dates:
circa 1960-1982 and undated
Size:
18 cu. ft. (18 record storage boxes)
Collection ID:
Record Unit 7411
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Smithsonian Productions
Dates:
1982-2001
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 05-149
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by John P. Meehan, Audio-Visual Production Specialist; Jacquie Gales Webb, Producer; Paul B. Johnson, Director; and other Radio Smithsonian staff, documenting the planning, development, and execution of original radio series and programs. Radio productions documented in this accession ...

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Creators:
Norcross, Arthur Dickinson, d. 1968
Tuck, Raphael, fl. 1880s
Norcross Greeting Card Company (New York (N.Y.))
Rust Craft Publishers (Boston, Mass.)
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Dates:
1800-1981
bulk 1880-1881
Size:
202 Cubic feet (179 boxes, 362 volumes)
Collection ID:
NMAH.AC.0058
Repository:
Archives Center, National Museum of American History

Collections consists of the records of both the Norcross Greeting Card Company founded in New York City in the 1920s and The Rust Craft Greeting Card Company, founded in Kansas City, Missouri, 1906. Both the Norcross and Rust Craft companies collected antique greeting cards. Also includes a small number of modern cards by other manufacturers, circa 1930-1980. Collection represents development of the greeting card industry, social trends in the United States and technology of the printing industry from 1924 through 1978.

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Creators:
Mason, William, (manufacturer), 1808-1883
Dates:
1839-1857
Size:
0.6 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.0045
Repository:
Archives Center, National Museum of American History

Papers of William Mason of Taunton, Massachusetts--engine builder, machinist, and manufacturer of locomotives and cotton machinery. The papers consist of bills, receipts, and correspondence concerning the operation of his household, the construction of his residence, and several incidental papers dealing with his business affairs.

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Creators:
Smithsonian American Art Museum. Exhibitions Office
Dates:
2001-2006
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 09-020
Repository:
Smithsonian Institution Archives

This accession consists of the program files of the Exhibitions Office of the Smithsonian American Art Museum (SAAM). Subjects covered include planning and funding for the Lunder Conservation Center, the renovation of the Old Patent Office Building, strategic planning, and other related topics. Materials include correspondence and memoranda, ...

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Creators:
Woodrow Wilson International Center for Scholars. State and Local Government Program
Dates:
1973-1979
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Record Unit 571
Repository:
Smithsonian Institution Archives

These records consist of the administrative and program files of the State and Local Government Program. They include correspondence concerning arrangements for dialogues and colloquia, fundraising material, mailing lists, fellowship correspondence, records of advisory committee meetings, texts of papers given at various events, and some c...

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Creators:
Bischoff, Elmer, 1916-1991
Dates:
1914-1990
Size:
4.4 Linear feet
Collection ID:
AAA.biscelme
Repository:
Archives of American Art

The papers of San Francisco painter and arts instructor Elmer Bischoff measure 4.4 linear feet and date from 1914 to 1990, with the bulk of the material dating from the late 1950s to the mid-1980s. Found within the papers are biographical materials, scattered correspondence, notes and notebooks, teaching and student files, printed materials, artwork and two sketchbooks, and photographs and negatives of Bischoff, his family, post World War II Europe, and artwork studies.

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Creators:
Kasuba, Aleksandra, 1923-2019
Dates:
circa 1900-2019
bulk 1960-2010
Size:
12.4 Linear feet
42.7 Gigabytes
Collection ID:
AAA.kasualek
Repository:
Archives of American Art

The papers of sculptor and environmental artist Aleksandra Kasuba measure 12.4 linear feet and date from circa 1900-2019, with the bulk of the material from 1960-2010. The collection documents Kasuba's career through biographical material, correspondence, interviews, lectures and writings, extensive project files, printed material, a scrapbook, artwork, and photographs.

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Creators:
Parsons, Betty
Dates:
circa 1920-1991
bulk 1946-1983
Size:
57.2 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 57.2 linear feet and date from 1920 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons' personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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