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Creators:
Bacerra, Ralph, 1938-2008
Dates:
1957-2015
Size:
3.4 Linear feet
Collection ID:
AAA.baceralp
Repository:
Archives of American Art

The papers of Los Angeles ceramic artist and educator Ralph Bacerra measure 3.4 linear feet and date from 1957 to 2015. The collection documents Bacerra's career through correspondence, professional activity files including teaching files from Chouinard Art Institute and Otis Art Institute, exhibition files, writings and notes including the artist's ceramic formulas and a diary, artwork including sketchbooks and drawings, photographs including images of Bacerra and his work, and printed material relating to Bacerra's career.

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Creators:
Turner, Reginald
Dates:
2004-2007
Size:
1.38 Terabytes
Collection ID:
NMAAHC.A2014.240
Repository:
National Museum of African American History and Culture

The Guide to 1921 Tulsa Race Massacre Oral History Collection documents the survivors of the 1921 Tulsa Race Massacre as well as their journey to acknowledgment, justice, and restitution. This digital collection is an edited version of a larger collection created by Reginald Turner, Executive Director and Founder of The Tulsa Project, Inc. The coll...

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Dates:
1983-2014
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Accession 14-272
Repository:
Smithsonian Institution Archives

nsists of records that document the work of the Office of Curatorial Affairs (OCA) in coordinating and planning exhibitions and programs. A program documented was the colloquium co-sponsored by the National Museum of American History and the American Association of Museums (now American Alliance of Museums) on collections planning. The co...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1725-1966
Size:
1.51 Cubic feet (consisting of 2.5 boxes, 9 folders, 4 oversize folders. )
Collection ID:
NMAH.AC.0060.S01.01.Autographs
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Autographs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Outterbridge, John, 1933-2020
Dates:
1953-1997
Size:
4.8 Linear feet
Collection ID:
AAA.outtjohn
Repository:
Archives of American Art

The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

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Dates:
1865–1872
Size:
197,148 Digital files
Collection ID:
NMAAHC.FB.M1913
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 203 rolls of microfilm described in the NARA publication M1913. These digital surrogates reproduced the records of the Virginia field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872, including previously unfilmed records of the Virginia staff offices of the quartermaster and disbursing officer, and the subordinate field offices. These records consist of bound volumes and unbound records, including letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

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Creators:
Northeast Historic Film (Organization)
Dates:
circa 1960-1980
Size:
Film reels (16mm)
Collection ID:
HSFA.2001.11
Repository:
Human Studies Film Archives

Educational films of anthropological interest. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this ...

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Creators:
Adams, Joseph E., 1913-1991
Dates:
circa 1960-1968
Size:
Film reels (color sound; 2556 feet, 16mm)
Collection ID:
HSFA.1975.04
Repository:
Human Studies Film Archives

Edited film, ANGKOR, made by Joseph E. Adams. c. 1960. Includes a sequence of the Royal Cambodian ballet. Edited film, THE EMERALD BUDDAH (A GLIMPSE OF THAILAND) made by Joseph E. Adams. c. 1960. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As a...

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Dates:
1865–1872
Size:
23 Reels
Collection ID:
NMAAHC.FB.M1901
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 23 rolls of microfilm described in the NARA publication M1901. These digital surrogates reproduced the records of the Arkansas staff offices and subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, applications of freedmen for rations, and other records relating to freedmen's claims and homesteads.

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Creators:
Clark, Alson Skinner, 1876-1949
Dates:
1870-1971
bulk 1890-1940
Size:
7.2 Linear feet
Collection ID:
AAA.claralso
Repository:
Archives of American Art

The papers of painter and muralist Alson Skinner Clark measure 7.2 linear feet and date from 1870 to 1971, with the bulk of the material from 1890 to 1940. Clark's career is documented through biographical material; correspondence with family, friends, galleries, and dealers; eleven diaries by the artist as well as 16 by his wife Medora Clark; stories and essays by Medora; financial records and business files of art and civilian concerns; assorted printed material including exhibition catalogs and announcements, maps, news clippings (singly and in scrapbooks), advertisements, and ephemera; and photographs of the artist, his friends and family, studio, travels, and artwork.

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